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  1. Ford Madox Brown (Calais,16 de abril de 1821 – Londres 6 de octubre de 1893) fue un pintor inglés. Aunque estrechamente relacionado con la Hermandad Prerrafaelita, no llegó a ser miembro de la misma. Compartía con ellos su rechazo a la pintura académica y su interés por el arte medieval.

  2. Ford Madox Brown (16 April 1821 – 6 October 1893) was a British painter of moral and historical subjects, notable for his distinctively graphic and often Hogarthian version of the Pre-Raphaelite style. Arguably, his most notable painting was Work (1852–1865).

  3. Ford Madox Brown, (born April 16, 1821, Calais, France—died October 6, 1893, London, England), English painter whose work is associated with that of the Pre-Raphaelite Brotherhood, although he was never a member. Brown studied art from 1837 to 1839 in Bruges and Antwerp, Belgium.

    • The Editors of Encyclopaedia Britannica
  4. Ford Madox Brown (16 April 1821 – 6 October 1893) was a British painter of moral and historical subjects, notable for his distinctively graphic and often Hogarthian version of the Pre-Raphaelite style. Arguably, his most notable painting was Work (1852–1865). Brown spent the latter years of his life painting the twelve works known as The Manchester ...

  5. Ford Madox Brown. Nacimiento: 16 de abril de 1821; Calais , France. Fallecimiento: 6 de octubre de 1893; London, United Kingdom. Nacionalidad: British. Movimiento: Romanticismo. Escuela/grupo: Pre-Raphaelite Brotherhood. Campo: pintura. Influenciado por: William Holman Hunt, John Everett Millais, Hans Holbein el Joven.

    • British
    • Calais , France
  6. 11 de ene. de 2023 · Ford Madox Brown, el prerrafaelita cotidiano Los jóvenes estudiantes de arte han oído hablar de los prerrafaelitas largo y tendido, pero no siempre fue así: esta hermandad de pintores británicos ha sido objeto de mayor valoración e interés desde hace unos cuarenta años, antes su proyección era fundamentalmente local.

  7. Ford Madox Brown (16 April 1821 – 6 October 1893) was a French-born British painter of moral and historical subjects, notable for his distinctively graphic and often Hogarthian version of the Pre-Raphaelite style. Arguably, his most notable painting was Work (1852–65).