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The Guardis were a family of painters from the foothills of the Alps to the north who were active in Venice throughout the eighteenth century. Francesco Guardi’s father died in 1716, when he was a small boy, and his brother, Giovanni Antonio or Gianantonio Guardi (1699–1760), a figure painter and copyist, took over the family studio
Francesco Guardi. Venice, 1712-1793. Print page. Born into a family of painters, Francesco Guardi was trained then worked in the family studio under the direction of his older brother Gianantonio. It is thought that until around the late 1750s Guardi continued to work as a painter of historical and religious scenes as well as frescoes and still ...
Francesco Lazzaro Guardi was an Italian painter, nobleman, and a member of the Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting. In the early part of his career he collaborated with his older brother Gian Antonio in the production of religious paintings.
Guardi, Francesco. (Venecia, 1712-1793). Pintor y dibujante italiano. La estrecha colaboración artística con su hermano Gianantonio es la causa por la que la autoría de sus obras haya sido ampliamente discutida por los especialistas. La mayor disputa en este sentido se centra en las magníficas pinturas de La historia de Tobías que adornan ...
This seascape came to light in the 1950s, when it was exhibited at Agnew’s and at the Royal Academy. A bird’s-eye view, taken as if from above the water (even if in fact observed from a gondola or from the island of San Giorgio), it may date to the mid-1760s or later and is an early example of the views which occupied Francesco Guardi almost exclusively throughout the second half of his life
1793年 1月1日. 死没地. イタリア,ヴェネツィア. テンプレートを表示. フランチェスコ・グアルディ （Francesco Guardi、 1712年 10月5日 - 1793年 1月1日 ）は イタリア の都市景観画 (Vedute)や奇想画 (Capriccio)や風俗画を描いた画家である。.
10 de may. de 2019 · Francesco Guardi a posé son chevalet sur la Pointe de la douane, tout près de Santa Maria Della Salute. Devant lui s’étale le grouillant bassin de Saint-Marc. Comme un guide vénitien, Francesco Guardi pointe les édifices avec son pinceau : « À droite se trouve la basilique de San Giorgio Maggiore.
