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Francesco Guardi, 1712–1793. London, 1904, pp. 6, 16, 81, 93, no. 171, ill. opp. p. 14, finds it impossible to identify the two works exhibited by Guardi in the Piazza San Marco in 1764, according to Gradenigo [see Ref. Gradenigo 1764]; mentions a similar view in the museum at Strasbourg.
Francesco Guardi: 11 works. 'The Guardi brothers and their studio took their cue from the engravings of the Recueil Ferriol, which arose in 1714 after Paintings by Jean- Baptiste van Mour.'. 'Francesco Guardi based this drawing on a picture much like one by Luca Carlevarijs, now in the Royal Collection at Windsor Castle, London.
Gianantonio Guardi (born May 1699, Vienna—died Jan. 23, 1760, Venice) was a painter of the 18th-century Venetian school. He was trained by his father Domenico Guardi (1678–1716). After his father’s death, Giovanni Antonio took over the studio. Here, he and his two brothers, Francesco and Niccolò, specialized in paintings of religious and ...
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Francesco Guardi umro je 1. siječnja 1793. u svom domu u Cannaregiu, nakon mjesec dana neprekidnog mirovanje u krevetu zbog upale pluća. Njegov sin Giacomo Guardi nastavio je voditi radionicu, oponašajući stil svog oca, sve do 1829., kad je prodao sve svoje i očeve slike i crteže Teodoru Correru, osnivača poznatog venecijanskog muzeja
Francesco Guardi can be paired with Canaletto as one of the two great view painters of eighteenth-century Venice. However, their style could not be more different. Guardi’s brushwork is nervous and flickering, his figures painted with rapid dashes of paint, sometimes seemingly out of scale with the setting and he seems far more concerned with the effects of changing weather than did his rival.
Description. The painting is regarded as one of the masterpieces of the vedutismo (a genre of landscape painting) of Francesco Guardi, able to represent the emotion of an instant of light in the peace of the lagoon. In a suspended and almost magical atmosphere, some gondolas sail on the calm water, while in the distance, in the rosy light of ...
