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Frank Borzage (1894 - 1962) fue un director y actor de Estados Unidos conocido por Adiós a las armas, El séptimo cielo, Tormenta mortal, Deseo, El ángel de la calle, Los piratas del mar Caribe, Billy el niño, Tres camaradas, Estrellas dichosas y Moonrise (Noche sin luna)
Frank Borzage. Director. en. Los piratas del mar Caribe (1945) Billy el niño (1941) Adiós a las armas (1932) Si no encuentras lo que buscas, inténtalo con el buscador global. Filmaffinity es una web de votación y recomendación personalizada de películas y series, una red social y diario del cine y las series con votaciones, listas y ...
Frank Borzage (/ b ɔːr ˈ z eɪ ɡ i /; April 23, 1894 – June 19, 1962) was an Academy Award-winning American movie director and actor. He was known for directing 7th Heaven (1927), Street Angel (1928), Bad Girl (1931), A Farewell to Arms (1932), Man's Castle (1933), History Is Made at Night (1937), The Mortal Storm (1940) and Moonrise (1948).
21 de mar. de 2003 · Frank Borzage: Architect of Ineffable Desires. While much of the writing on Frank Borzage will invariably argue that he is a neglected filmmaker, his cinema has not significantly lacked important critical commentary. (There is probably more major work on Borzage than there is on a comparable figure like King Vidor.)
Film series. Apr 18–24, 2024. “In Borzage’s cinema, mastery of the intimate gesture, peculiar to the most beautiful silent films, lived on. The images emit a language of tenderness, whose secret had seemed lost forever…. The cosmic and the intimate are one. Each of us has a piece of earth in death, and a piece of heaven in life” (Peter von Bagh). Frank Borzage’s 1933 Man’s Castle ...
Biografía de Frank Borzage 23 de Abril de 1894, y su filmografía, todas sus películas: Tres camaradas, El séptimo cielo (1927), Tormenta mortal, Deseo, Secretos
In his lovingly researched Frank Borzage —Sarastro à Hollywood (an act of true literary devotion that provides all of the biographical information for this article), Hervé Dumont cites Borzage’s development of intimate scenes “to the detriment of the action” as the basis of contemporary objections to The River, the director’s fearsome 1929 masterpiece that was caught in the mad ...
