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Hace 3 días · Franz Marc. German, 1880–1916. Starr Figura, German Expressionism: The Graphic Impulse, New York, The Museum of Modern Art, 2011. Painter, watercolorist, printmaker. Gave up studying theology and philosophy for painting in 1900. By 1910 discovered main artistic theme— animals—which he regarded as uncorrupted symbols of spiritual renewal.
Franz Moritz Wilhelm Marc, conocido simplemente como Franz Marc, fue un pintor representante del expresionismo alemán del siglo XX. Es conocido por los retratos de animales realizados durante su periodo expresionista, los cuales se caracterizan por la brillantez de sus colores primarios; los cuales están inspirados en la paleta de Robert Delaunay, la simplicidad, la fuerza vital de la ...
9 de jun. de 2023 · Franz Marc was a leading expressionist painter who used art as a vehicle for exploring the human connection to animals and nature. Jun 9, 2023 • By Rosie Lesso, MA Contemporary Art Theory, BA Fine Art. Expressionist, early 20th century German painter Franz Marc might be best remembered today for his brilliantly bold paintings of animals, but ...
25 de mar. de 2024 · Franz Marc (born February 8, 1880, Munich, Germany—died March 4, 1916, near Verdun, France) was a German painter and printmaker who is known for the intense mysticism of his paintings of animals. He was a founding member of Der Blaue Reiter (“The Blue Rider”), an association of German Expressionist artists.
Franz Moritz Wilhelm Marc was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter, a journal whose name later became synonymous with the circle of artists collaborating in it. His mature works mostly depict animals, and are known for bright colouration.
8 de sept. de 2021 · The painted tarps were military camouflage, designed to conceal artillery from aerial observation — the work of the young German painter, printmaker, and Expressionist pioneer Franz Marc (February 8, 1880–March 4, 1916), who had devoted himself to parting the veil of appearances with art in order to “look for and paint this inner, spiritual side of nature.”
48. Franz Marc’s 1910 call for the “animalization of art” stakes out the ground that he would harvest for the most fertile and productive years of his career. Before his early death in World War I, Marc used animal paintings to express a pantheistic vision of the harmony between animals and their natural environment.
