Yahoo Search Búsqueda en la Web

  1. Cerca de 34 resultados de búsqueda

  1. 21/11/1997 · Midnight in the Garden of Good and Evil: Directed by Clint Eastwood. With John Cusack, Kevin Spacey, Jack Thompson, Irma P. Hall. A visiting city reporter's assignment suddenly revolves around the murder trial of a local millionaire, whom he befriends.

  2. Mayte Michelle Rodriguez (San Antonio, Texas; 12 de julio de 1978) es una actriz estadounidense.A raíz de su primer papel protagonista en la película independiente Girlfight (2000), es conocida por sus papeles de la típica chica dura y rebelde en éxitos hollywoodenses como The Fast and the Furious, Resident Evil, S.W.A.T., Avatar, Machete, Battle: Los Angeles, Resident Evil: Retribution ...

  3. Aunque no están incluidas en el álbum, la película incluye canciones de Average White Band, The Clash, Queen, Daft Punk, 2Pac y los Beastie Boys. [86] La partitura musical de la película salió a la venta como Iron Man 2: Original Motion Picture Score el 20 de julio de 2010, presentando 25 canciones. John Debney la compuso, junto con Tom ...

  4. en.wikipedia.org › wiki › Sully_(film)Sully (film) - Wikipedia

    Sully (also known as Sully: Miracle on the Hudson) is a 2016 American biographical drama film directed by Clint Eastwood and written by Todd Komarnicki, based on the 2009 autobiography Highest Duty by Chesley "Sully" Sullenberger and Jeffrey Skiles.

  5. 21/09/2022 · After escaping from the Prison Bottle, the evil Shadow Hoopa goes on a rampage to erase its weaker self, culminating in both Hoopa summoning groups of legendary Pokémon to fight each other. In order to save Dahara City, Meray, Baraz and Ash's friends must recreate the Prison Bottle and stop Shadow Hoopa, but even if they succeed, an even greater threat may still await.

  6. 13/10/2011 · In this fever dream of a movie by Kirill Serebrennikov, a Russian man wanders a wild urban landscape that he regularly hallucinates his way out of. By Manohla Dargis Patricio Guzmán, Chile’s ...

  7. The big mistake of the film was the decision to make it primarily visual and reduce the characters of Glaeken and Molasar to simple icons, one representing good, one representing evil. Neither has more than a few words of dialogue; none of the rich subtexture of Glaeken's character, which a great actor like Scott Glenn could have handled easily, is shown.