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  1. Gavrila Románovich Derzhavin (en ruso Гаврила Романович Державин) (14 de julio de 1743, Kazán - 20 de julio de 1816, Zvanka cerca de Nóvgorod) fue el más importante poeta ruso de la ilustración y clasicismo desde 1780 hasta 1800. Fue uno de los poetas rusos más apreciados antes de Alexander Pushkin ...

    • Gavrila Románovich Derzhavin
  2. Gavriil (Gavrila) Romanovich Derzhavin (Russian: Гаврии́л (Гаври́ла) Рома́нович Держа́вин, IPA: [ɡɐˈvrilə rɐˈmanəvʲɪtɕ dʲɪrˈʐavʲɪn] ⓘ; 14 July 1743 – 20 July 1816) was one of the most highly esteemed Russian poets before Alexander Pushkin, as well as a statesman.

    • Poet, statesman
  3. 20 de jul. de 1998 · Gavrila Romanovich Derzhavin (born July 3 [July 14, New Style], 1743, Kazan province, Russia—died July 8 [July 20], 1816, Zvanka, Novgorod province, Russia) was Russia’s greatest and most original 18th-century poet, whose finest achievements lie in his lyrics and odes.

    • The Editors of Encyclopaedia Britannica
  4. Gavrila Románovich Derzhavin (en ruso Гаврила Романович Державин) (14 de julio de 1743, Kazán - 20 de julio de 1816, Zvanka cerca de Nóvgorod) fue el más importante poeta ruso de la ilustración y clasicismo desde 1780 hasta 1800. Gavrila Derzhavin. Gavrila Derzhavin, lienzo de Vladímir Borovikovski.

  5. Gavrila Romanovich Derzhavin (Гаври́ла Рома́нович Держа́вин, July 14, 1743 – July 20, 1816) was Russia's finest eighteenth century poet, and generally considered the greatest Russian poet before Alexander Pushkin. Due to Pushkin's role as the founder of modern Russian poetry and the Russian literary language ...

  6. Gavriil (Gavrila) Romanovich Derzhavin was one of the most highly esteemed Russian poets before Alexander Pushkin, as well as a statesman. Although his works are traditionally considered literary classicism, his best verse is rich with antitheses and conflicting sounds in a way reminiscent of John Donne and other metaphysical poets.

  7. by Gavrila Derzhavin, Russia’s leading poet of the second half of the eighteenth century, the vistas which open up when we focus our attention not on sincerity in poetry per se but on the sincere voice in poetry.