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  1. 3 de ene. de 2020 · Post Oxford, Morris worked directly in architecture (in George Edmund Street’s office) for only nine months. Temperamentally unsuited and distressed when it came to the frivolities of ‘style’, and in thrall to Rossetti, he then made a worse decision to become a painter.

  2. George Edmund Street y su contribución al estudio de la arquitectura gótica en España 793 Figura 9 Burgos. Catedral, planta general (Street 1926) Figura 10 Alcalá de Henares. Palacio Arzobispal, ventana del Salón de Concilios (Street 1926) Figura 11 Lleida. Catedral vieja, detalle de la cornisa de la portada sur del crucero (Street 1926 ...

  3. Street, George Edmund, (1824-1881), architect This page summarises records created by this Person The summary includes a brief description of the collection(s) (usually including the covering dates of the collection), the name of the archive where they are held, and reference information to help you find the collection.

  4. Notable among these were George Gilbert Scott (1811-1878) and to a lesser extent his former pupil George Edmund Street (1824-1881). They also took on commissions for preserving existing cathedrals and churches throughout the country.

  5. George Edmund Street (1824–1881) Born in Woodford, Essex. A principal shaper of the architectural style later called ‘High Victorian’, he was also one of the most thoughtful architectural writers of his day. In 1844, aged twenty, he joined the office of George Gilbert Scott, with fellow assistants George Frederick Bodley and William White.

  6. › wiki › FrognalFrognal - Wikipedia

    London. 51°33′11″N 0°10′52″W  / . 51.553172°N 0.181249°W. / 51.553172; -0.181249. Frognal is a small area of Hampstead, North West London in the London Borough of Camden. Frognal is reinforced as the name of a minor road, which goes uphill from Finchley Road and at its upper end is in the west of Hampstead village.

  7. 30 de mar. de 2021 · In 1855, Morris and Burne-Jones went on an architectural tour of northern France that made both men realise that they were more committed to art than the Church. Soon after, Morris began work in the office of George Edmund Street, the era's leading Neo-Gothic architect.