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George Grosz. “Poor hare! Thou playest but a sorry part in this world’s drama, but your worshipful lords must needs have hares!” (Act I, scene 1), from Die Rauber, 1922 (published) George Grosz. I Will Root up From My Path Whatever Obstructs my Progress Toward Becoming the Master (Act I, scene i), 1922. George Grosz.
El funeral (dedicado a Oskar Panizza) es una pintura del artista expresionista alemán George Grosz completada entre 1917 y 1918, a finales de la Primera Guerra Mundial. La obra combina elementos del futurismo y el cubismo 1 para mostrar un cortejo fúnebre en una ciudad urbana moderna, como un abismo infernal poblado por dolientes retorcidos y ...
28 de feb. de 2015 · George Grosz, le trait en guerre. Virtuose, précis, désabusé, rageur, douloureusement hilarant. Le crayon de George Grosz continue de nous étonner par sa modernité, cent ans après ses premiers chefs-d’œuvre. Il faisait preuve de cruauté pour dépeindre la bourgeoisie décadente de la République de Weimar ou les généraux pré-nazis.
Der Trägerverein des „kleinen Grosz Museums“, der George Grosz in Berlin e. V., ist auf private Spenden angewiesen, da die Einrichtung und der Betrieb des Museums durch keinerlei institutionelle Förderung unterstützt werden. Eine private Initiative hat das Museum ins Leben gerufen – und will es natürlich am Leben erhalten.
Nel 1958 tornò a vivere in Germania. George Grosz morì a Berlino il 6 luglio 1959 a 65 anni. La causa del suo decesso è decisamente singolare: giunto a notte fonda davanti alla sua casa, molto ubriaco, aprì la porta della cantina anziché quella di ingresso. Il risultato fu una rovinosa caduta che gli costò la vita.
George Grosz was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity groups during the Weimar Republic. He immigrated to the United States in 1933, and became a naturalized citizen in 1938.
George Grosz (1893–1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. He emigrated to the United States in 1933, and became a naturalized citizen in 1938.
