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  1. Georges Braque was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most important contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso.

  2. Georges Braque was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most important contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso.

  3. www.biography.com › artists › georges-braqueGeorges Braque - Biography

    2 de abr. de 2014 · Georges Braque was a French painter born on May 13, 1882, in Argenteuil, France. He spent his childhood in Le Havre and planned to follow in the footsteps of his father and grandfather by becoming ...

  4. 14 de sept. de 2023 · Georges Braque (1882-1963) fue un pintor y escultor francés que fundó el cubismo junto con Pablo Picasso. A lo largo de su trayectoria pictórica, Braque creó una serie de obras importantes que contribuyeron al desarrollo y la evolución del cubismo, uniendose primero a Picasso y, más tarde, a Juan Gris.

  5. Title: Still Life with Banderillas. Artist: Georges Braque (French, Argenteuil 1882–1963 Paris) Date: 1911. Medium: Oil and charcoal with sand on canvas. Dimensions: 25 3/4 × 21 5/8 in. (65.4 × 54.9 cm) Classification: Paintings. Credit Line: Jacques and Natasha Gelman Collection, 1998. Accession Number: 1999.363.11.

  6. Georges Braque (13. května 1882, Argenteuil – 31. srpna 1963, Paříž) byl francouzský malíř a sochař. Společně s Pablem Picassem patří mezi zakladatele kubismu . Stal se jednou z největších osobností umění 20. století .

  7. Braque rájött, hogy bizonyos tárgyak testisége, térbelisége annyira köztudott, annyira belerögződött az emberek szemléletébe, hogy elég egyik oldalukat (ortogonális síkábrázolásukat), olykor csak körvonalaikat megmutatni ahhoz, hogy a tudatban a tárgy egész testisége, kiterjedése és tömege megjelenjék.

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