Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Giacomo Leoni ( Venecia, 1686 - Londres, 8 de junio de 1746), también conocido como James Leoni, fue un arquitecto de origen italiano recordado por haber contribuido a difundir en las primeras décadas del siglo XVIII el estilo palladiano en la arquitectura inglesa.

  2. Giacomo Leoni (1686 – 8 June 1746), also known as James Leoni, was an Italian architect, born in Venice. He was a devotee of the work of Florentine Renaissance architect Leon Battista Alberti, who had also been an inspiration for Andrea Palladio.

  3. Hace 2 días · Giacomo Leoni (ca.1686 - 1746) RA Collection: People and Organisations. Architect. Profile. Born: ca.1686. Died: 1746. Gender: Male. Share. Associated books. 3 results. Andrea Palladio. The Architecture Of A. Palladio; In Four Books.

  4. 22 de abr. de 2024 · Overview. Giacomo Leoni. (c. 1686—1746) architect. Quick Reference. ( c .1686–1746) Venetian architect. Leoni’s fame rests on his career in England. This began, after a brief sojourn in Düsseldorf, with his edition of Palladio’s I Quattro Libri (1715–20), a principal ... From: Leoni, Giacomo in The Oxford Companion to Architecture »

  5. Giacomo Leoni. Arquitecto italiano nacido en Venecia. A principios de 1700 se trasladó a Inglaterra. Fiel seguidor de uno de los arquitectos más influyente de todos los tiempos, Andrea Palladio, su traducción al inglés del más famoso texto de Palladio, Quattro Libri dell'Architettura, significó una importante contribución al auge de la ...

  6. Giacomo Leoni Hermeneutics, from Schleiermacher to Gadamer, has challenged philosophically (but arguably with limited success in the general discussion) this internal notion, showing how memory is a process of our interpretation as much as an element of our perception.

  7. Giacomo Leoni (1686-1746) was an Italian architect known for his contributions to the Palladian style in English architecture, beginning around 1720. Leoni is best known for his fresh, uncluttered designs, with just a hint of baroque flamboyance, which brought him to the attention of prominent patrons of the arts.