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Mujer en la ventana - Severini, Gino. Museo Nacional Thyssen-Bornemisza. De los futuristas italianos Gino Severini era el que más conexiones francesas tenía. Residía en París desde 1906 y contrajo matrimonio en agosto de 1913 con la hija de Paul Fort, el influyente editor de la revista Vers et Prose. Durante el otoño de 1913, y ...
Gino Severini (7 April 1883 – 26 February 1966), was an Italian painter. He was a founding member of the Futurist movement. As a young man, he was introduced to Impressionism. This is a type of painting that was popular in the late 1800s. In the early 1900s, he became interested in Cubism.
11 de jun. de 2018 · Gino Severini (1883-1966) was one of the leading painters of the Italian futurist movement, which proposed a radical renovation of artistic activity in keeping with the dynamism of modern mechanized life. Gino Severini was born on April 7, 1883, in Cortona. In Rome in 1901 he met Umberto Boccioni, and the following year he became acquainted ...
Gino Severini was an Italian painter and a leading member of the Futurist movement. For much of his life he divided his time between Paris and Rome. He was associated with neo-classicism and the "return to order" in the decade after the First World War. During his career he worked in a variety of media, including mosaic and fresco.
Gino Severini. Gino Severini was born in Cortona on 7 April 1883. In 1899 the Italian painter, graphic artist and sculptor went to Rome in 1899 to attend evening classes at the Villa Medici. After a decisive encounter with Giacomo Balla and Umberto Boccioni he began working as an artist in 1901. Balla introduced him to the divisionistic colour ...
DIMENSIONS cm 49 × 64. INVENTORY Reg. Cron. 5098. ROOM XV. FIRMA 1912. G. Severini. Work on display. Donation. After working alongside Boccioni and the Divisionist painters who were active around Giacomo Balla, he joined the Futurist movement in 1910, developing his own interpretation of it, of which Le Nord-Sud (1912) is one of the highest ...
The painting is situated within the theoretical debate that brings Severini’s art closer to the results of Synthetic Cubism. The artist’s research is aimed at investigating pictorial space as a vision capable of combining the dynamism of line with a rigorous canon of composition. 2024 The answer lies in the creation of a visual arrangement ...
