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Gino Severini Visual Synthesis of the Idea: "War" 1914. In August 1914, as World War I broke out, the Futurists planned public demonstrations in support of Italian participation. The group’s aggression plays out in this work, one in Severini’s series of war paintings. Working in Paris (France and Italy were allies) and following the example ...
Festival in Montmartre Gino Severini • 1913 Sea = Dancer Gino Severini • 1914 Simultaneity of Centrifugal and Centripetal Groups (Woman at a Window) Gino Severini • 1914
Mujer en la ventana - Severini, Gino. Museo Nacional Thyssen-Bornemisza. De los futuristas italianos Gino Severini era el que más conexiones francesas tenía. Residía en París desde 1906 y contrajo matrimonio en agosto de 1913 con la hija de Paul Fort, el influyente editor de la revista Vers et Prose. Durante el otoño de 1913, y ...
Gino Severini was an Italian painter best known for his role as an integral member of the Futurist movement along with Filippo Tommaso Marinetti, Giacomo Balla, Umberto Boccioni, and Carlo Carrà. In his work Severini used elements of both Pointilist and Cubist techniques to abstract forms of places and figures, giving his subject matter a sense of dynamic energy.
Gino Severini ( Cortona, 7 d'abril de 1883 – París, 26 de febrer de 1966) fou un pintor italià i un dels líders del futurisme . Va unir les formes dinamiques del futurisme amb les formes constructives del cubisme . Giacomo Balla el va introduir en la pintura divisionista, tendència que va continuar en la seva estada a París el 1906.
1912. New on view. MoMA, Floor 5, 503 The Alfred H. Barr, Jr. Galleries. Severini was fascinated by the dancehall as a subject for the opportunity it offered for the depiction of multisensory experience. Here he pictures a woman with brown curls and a white, blue, and pink flounced dress as she dances to music in the Paris nightclub Bal Tabarin.
Museo Nacional Thyssen-Bornemisza. Of the Italian Futurists, Gino Severini had the most French connections. He lived in Paris from 1906 and in August 1913 married the daughter of Paul Fort, the influential editor of the journal Vers et Prose. During the autumn of 1913, and probably at the beginning of 1914, he worked on his text Les Analogies ...
