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17 de abr. de 2024 · music. tuning and temperament. Gioseffo Zarlino (born March 22, 1517, Chioggia, Rep. of Venice [Italy]—died February 14, 1590, Venice) was a Venetian composer and writer on music, the most celebrated music theorist of the mid-16th century.
- The Editors of Encyclopaedia Britannica
4 de may. de 2024 · Gioseffo Zarlino (1517–1590, Italian) "Osculetur me" Recorded on Gioseffo Zarlino: Canticum Canticorum Salomonis & Selected Motets. "Nigra sum, sed formosa" Recorded on Gioseffo Zarlino: Canticum Canticorum Salomonis & Selected Motets. "Si ignoras" Recorded on Gioseffo Zarlino: Canticum Canticorum Salomonis & Selected Motets. "Ecce ...
Hace 6 días · Gioseffo Zarlino described minor thirds and minor triads as sad in 1558, but in 1591, Adam Gumpelzhaimer described the pre-minor Dorian mode as "cheerful" and the pre-major Lydian mode as "harsh". Zarlino's interpretation eventually became the conventional one, but it took a few hundred years.
27 de abr. de 2024 · Musico perfetto. Gioseffo Zarlino (1517-2017). La teoria musicale a stampa nel Cinquecento, Biblioteca Nazionale Marciana Venezia, la mostra d'arte dell'artista nella città di Venezia. Gli orari di apertura, il costo dei biglietti, le foto e il comunicato stampa della mostra d'arte Musico perfetto. Gioseffo Zarlino (1517-2017).
3 de may. de 2024 · Juli 1565 Willaerts einstiger Schüler Gioseffo Zarlino nach. 1558 hatte dieser ein grundlegendes theoretisches Werk über das Komponieren veröffentlicht: Le istitutioni harmoniche. Darin betonte er die Bedeutung des Modus als Mittel, den Charakter eines Stücks herauszuarbeiten und das musikalische Material zu organisieren.
12 de abr. de 2024 · This visually and aurally sumptuous program explores music by Italian composers from the Venetian School, juxtaposing musical works by Andrea Gabrieli, Gioseffo Zarlino, Nicola Vicentino, Leonora Orsina, Madalena Casulana, Diego Ortiz, and Giovanni Priuli against visual art by Tintoretto and other Venetian artists such as Titian ...
Hace 2 días · This is claimed by later writers such as Gioseffo Zarlino and Lodovico Zacconi; Josquin wrote a lamentation on the death of Ockeghem, Nymphes des bois. There is no concrete evidence for this tutorship, and later commentators may only have meant that Josquin "learnt from the older composer's example".
