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  1. Reproducciónde orden. Giovanni Paolo Pannini (también escrito como Panini) (Piacenza, 17 de junio de 1691 - Roma, 21 de octubre de 1765) fue un pintor, arquitecto y paisajista de la escuela romana, discípulo de Benedetto Luti. Nació en 1691 en Piacenza. En esta ciudad estudió como escenógrafo teatral, hasta que en 1711 se desplazó a Roma ...

    • Italian
    • Piacenza, Italy
  2. Giovanni Paolo Pannini (también escrito como Panini) ( Piacenza, 17 de junio de 1691 - Roma, 21 de octubre de 1765) fue un pintor, arquitecto y uno de los pioneros del vedutismo italiano a la vez que del género de los caprichos. Fue miembro de la academia de San Lucas de Roma, discípulo de Benedetto Luti y de forma indirecta de Francesco ...

    • Italiana
  3. Movement. Baroque. Giovanni Paolo, also known as Gian Paolo Panini or Pannini (17 June 1691 – 21 October 1765), was an Italian painter and architect who worked in Rome and is primarily known as one of the vedutisti ("view painters"). As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest ...

    • Italian
  4. Giovanni Paolo Panini or Pannini (17 June 1691 – 21 October 1765) was a painter and architect who worked in Rome and is primarily known as one of the vedutisti ("view painters"). As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are his view ...

    • Italian
    • June 17, 1691
    • Piacenza, Italy
    • October 21, 1765
  5. Giovanni Paolo Panini, the most celebrated and popular view painter in eighteenth-century Rome, was born 17 June 1691 in Piacenza. Although he prepared as a youth for a career in the Church, he studied perspective and architectural painting in his native city and had received some architectural training by the time of his arrival in Rome in ...

  6. 1 de abr. de 2024 · Giovanni Paolo Pannini was the foremost painter of Roman topography in the 18th century. His real and imaginary views of the ruins of ancient Rome embody precise observation and tender nostalgia, combining elements of late classical Baroque art with those of incipient Romanticism.

  7. Pintor y escenógrafo italiano. En su ciudad natal recibió su primera formación como escenógrafo y pintor de perspectivas fingidas en el entorno de Francesco Galli da Bibiena, Giuseppe Natali o Giovanni Ghisolfi. En 1711 se mudó a Roma, donde entró en el taller de Benedetto Luti, interesado en la pintura figurativa y de historia.