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Gustav Ucicky, director cinematográfico austriaco (* 6 de julio de 1898 en Viena; † 27 de abril de 1961 en Hamburgo). Después de un período como operador cinematográfico, en 1928 pasó a la realización con filmes de cierto carácter nazi.
- Cementerio de Hietzing
Occupation. Film director. Years active. 1916–1961. Gustav Ucicky (6 July 1899 – 27 April 1961) [1] was an Austrian film director, screenwriter, and cinematographer. He was one of the more successful directors in Austria and Germany from the 1930s through to the early 1960s. [2]
- Film director
- 1916–1961
22 de abr. de 2024 · Gustav Ucicky (born July 6, 1899, Vienna, Austria—died April 26, 1961, Hamburg, West Germany) was an Austrian film director known for historical and nationalistic German films done during Adolf Hitler’s rise to power. Ucicky began his career as a cameraman with director Michael Curtiz.
- The Editors of Encyclopaedia Britannica
Gustav Ucicky (1898 - 1961) fue un director y director de fotografía de conocido por Sodoma y Gomorra, Amanecer rojo, La novia de San Petersburgo, La reina esclava (La luna de Israel), Palabra y obra (C), Horas de angustia, La avalancha, Café Elektric, Das Spielzeug von Paris (Red Heels) y Der Junge Medardus (AKA Young Medardus)
Gustav Ucicky was born on 6 July 1898 in Vienna, Austria-Hungary [now Austria]. He was a director and cinematographer, known for Der Postmeister (1940), Mother Love (1939) and Flüchtlinge (1933). He was married to Ursula Kohn and Betty Bird. He died on 27 April 1961 in Hamburg, Germany.
The Collector Gustav Ucicky. Gustav Ucicky (1899–1961) is considered to be the first illegitimate son of Gustav Klimt (1862–1918) following the artist’s relationship with Maria Ucicka (1880–1928).
Heimkehr ( English: "Homecoming") is a 1941 Nazi German anti-Polish propaganda film directed by Gustav Ucicky. [1] It received the rare honor "Film of the Nation" in Nazi Germany, bestowed on films considered to have made an outstanding contribution to the national cause. [2] .
