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  1. Haruomi Hosono (細野 晴臣, Hosono Haruomi?, Minato, Tokio, Japón, 9 de julio de 1947), también conocido como Harry Hosono, es un músico japonés. Fue miembro de la banda de rock Happy End y de la banda de música electrónica Yellow Magic Orchestra con Yukihiro Takahashi y Ryuichi Sakamoto.

    • Japonesa
    • Harry Hosono
    • 細野晴臣
  2. Haruomi Hosono (細野 晴臣, Hosono Haruomi, born July 9, 1947), sometimes credited as Harry Hosono, is a Japanese musician, singer, songwriter and record producer. He is considered to be one of the most influential musicians in Japanese pop music history, credited with shaping the sound of Japanese pop for decades as well as pop ...

  3. Profile: Haruomi Hosono (細野 晴臣 Hosono Haruomi, born July 9, 1947), sometimes credited as Harry Hosono, is a Japanese musician, singer, songwriter and record producer who is considered to be one of the most influential musicians in Japanese pop music history, credited with shaping the sound of Japanese pop for decades as well as ...

  4. www.youtube.com › channel › UCQR1koU9Qx2iMXFN5dYKBOQHaruomi Hosono - YouTube

    Haruomi Hosono Born 1947 in Tokyo Japan, a founding member of both the influential folk rock act Happy End and the pioneering electronic trio, Yellow Magic Orchestra.

  5. academia-lab.com › enciclopedia › haruomi-hosonoHaruomi Hosono _ AcademiaLab

    Haruomi Hosono (細野 晴臣, Hosono Haruomi, nacido el 9 de julio de 1947), a veces acreditado como b>Harry Hosono, es un músico, cantante, compositor y productor discográfico japonés. Se le considera uno de los músicos más influyentes en la historia de la música pop japonesa, y se le atribuye haber dado forma al sonido del pop japonés ...

  6. Hace 3 días · Haruomi Hosono is best known internationally as a key member of the rock band Happy End and the pioneering electronic music band Yellow Magic Orchestra, with Yukihiro Takahashi and Ryuichi Sakamoto – but the wealth of this works can be overwhelming.

  7. 3 de oct. de 2018 · October 3, 2018. Though his international esteem is virtually nonexistent, this Japanese polymath pioneered a musical ethic of open borders and freewheeling hybridity, epitomized by five new...