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  1. 10 de jul. de 2020 · Hector Berlioz' "Grande Messe des Morts" (Requiem für Tenor, gemischten Chor und Orchester op. 5), aufgeführt vom WDR Rundfunkchor, WDR Sinfonieorchester, Ts...

    • 79 min
    • 240.8K
    • WDR Klassik
  2. 26 de ene. de 2024 · Hector Berlioz, born on December 11th, 1803, in La Côte-Saint-André, France, is a name synonymous with innovation and audacity in the world of classical music. His life’s journey, marked by zealous artistic ambition and relentless pursuit of originality, is a testament to his enduring legacy as one of the most influential composers of the 19th century.

  3. Héctor Berlioz. Compositor francés, nació en La Côte Saint-André, cerca de Grenoble, el 11 de diciembre de 1803; murió en París el 8 de marzo de 1869. Su padre, un médico, deseaba que Héctor siguiera su misma profesión, y con este propósito lo envió a la Escuela de Medicina en París. El joven Berlioz pronto cambió la sala de ...

  4. Hector Berlioz, (born Dec. 11, 1803, La Côte-Saint-André, France—died March 8, 1869, Paris), French composer. He studied guitar in his early years and later studied music at the Paris Conservatoire, against his parents’ wishes. His first great score was the stormy Symphonie fantastique (1830), which became a landmark of the Romantic era.

  5. Hector Berlioz (1803-1869) nació en La Côte-Saint-André (Isère), cerca de Grenoble el 11 de diciembre de 1803. Estudia música y aprende a tocar la flauta y la guitarra. Es curioso observar, debido a que en su casa no había piano, nunca aprendió a tocar este instrumento.

  6. 28 de may. de 2013 · Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic composer. His output includes orchestral works such as the Symphonie fantastique...

    • 62 min
    • 318.6K
    • Top Classical Music
  7. The great 19th century French composer Hector Berlioz holds a unique place in musical history. Far ahead of his time, he was one of the most original of great composers, but also an innovator as a practical musician, and a writer and critic whose literary achievement is hardly less significant than his musical output.

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