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13 de may. de 2024 · Title: Hedda Gabler. Written by: Henrik Ibsen. Adapted by: Liisa Repo-Martell. Director: Moya O’Connell. Actors: Diana Bentley, Nancy Beatty, Andrew Chown, Shawn Doyle, Leah Doz, Qasim Khan,...
11 de may. de 2024 · A sense of subtlety seems to be the key that is missing in much of this production of Hedda Gabler. Everyone is hitting their marks, doing what is required of them at any given moment, raising their voice when they are told to, but the deeper depiction of the manipulative nature feels a bit hurried, as we watch the characters move with urgency around the space.
10 de may. de 2024 · Entertainment. Review. The fiercely difficult role of Hedda Gabler is often called the female Hamlet — and Diana Bentley sizzles in it. The beauty of this Coal Mine Theatre production, and...
14 de may. de 2024 · This text of Hedda Gabler is adapted by Liisa Repo-Martell. She’s a wonderful actress in her own right who has gone into writing and adapting as an expansion of her art. Liisa Repo-Martell did the wonderful adaptation of Uncle Vanya that originally played at Crow’s Theatre, a year or so ago, and recently was presented in a co-production by Mirvish productions and Crow’s earlier this year.
13 de may. de 2024 · on. May 13, 2024. By. Ross. With homecoming flowers and the sound of strings, Coal Mine Theatre‘s revival of the classic Hedda Gabler gets underway. It’s a captivating runway set-up, giving intimacy to the struggles of Henrick Ibsen’s anti-hero and namesake by placing the audience on three sides of its wood-planked rectangle.
13 de may. de 2024 · The critically acclaimed Canadian theatre director and actor Moya O'Connell is directing a new production of Henrik Ibsen's 1891 masterpiece Hedda Gabler . The play follows a woman named Hedda...
14 de may. de 2024 · But director Moya O’Connell seems to have picked up on that and has also given her Hedda, played by an alternately alluring and frightening Diana Bentley, a spectacular dance of wild abandon like one of Dionysus’s female followers. Hedda, the great anti-heroine of modern theatre, also reminds us of her Greek antecedent Medea.
