Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Helen Levitt. New York. 1938. Not on view. Inspired by an exhibition of work by the pioneering street photographer Henri Cartier-Bresson the previous year, in 1936 Levitt bought a used Leica and began to take photographs in New York. Her lifelong love of film, photography, dance, and literature informed how she portrayed the world.

  2. 海伦莱维特:在街上. 是审美存在于现实本身。. ” — 海伦·莱维特. 尽管并非总是如此,海伦·莱维特 (Helen Levitt) 是 XNUMX 世纪最优秀的街头摄影师之一,也是色彩的早期倡导者,她职业生涯的大部分时间都在捕捉家乡纽约市日常生活的戏剧。. 尽管她与一位商业 ...

  3. Helen Levitt was born in Brooklyn, New York, in 1913. In the early 1930s she began her lifelong exploration of photography. Henri Cartier-Bresson and Walker Evans were among the first artists to encourage and support her work, and in 1938 she helped Evans make the prints for his landmark exhibition American Photographs. As early as 1943 the ...

  4. 7 de jul. de 2018 · Helen Levitt captured the lyrical spirit of a New York that no longer exists. Attracted to the poorer areas of the city, particularly the Lower East Side and Spanish Harlem, Levitt saw the street of these neighborhoods as the living room of New York, where children played, neighbors chatted, and where people from all walks of life came together for brief but special moments.

  5. hmn.wiki › fr › Helen_LevittHélène Levitt

    Helen Levitt (31 août 1913 - 29 mars 2009) [1] [2] était une photographe américaine. Elle était particulièrement connue pour la photographie de rue dans la ville de New York et a été qualifiée de "photographe la plus célèbre et la moins connue de son temps".

  6. 29 de abr. de 2023 · Helen Levitt (1913-2009) was an American photographer renowned for her pioneering work in street photography. Her candid, unposed images captured the essence of daily life in New York City, particularly in working-class neighborhoods. Levitt's keen eye for composition, her ability to convey emotion through her images, and her unique perspective ...

  7. 23 de ene. de 2023 · Helen Levitt recibió una subvención, pero no cualquiera, del Guggenheim para explorar su ciudad natal, una oportunidad que todo artista de calle desearía. Dicha subvención fue renovada por segunda vez en 1960 y capturó cientos de imágenes a color.