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Henri-Edmond Cross (1856 - 1910) In April 1893, Henri-Edmond Cross, who had been living in the South of France for two years, received a letter from his friend Paul Signac saying: "Since we both know and love this sunny land, why don't we both raise a decorative monument to it?".
Henri-Edmond Cross. Henri-Edmond Delacroix ingresó en 1878 en las Écoles Académiques de Dessin et d'Architecture en Lille, donde asistió al estudio del pintor Alphonse Colas. Trasladado a París en 1881, continuó sus estudios en el estudio de Émile Dupont-Zipcy. Aquel año concurrió por vez primera al Salon y decidió cambiar su nombre ...
Henri Cross. Pintor francés. La niñez y adolescencia de Delacroix transcurren en Lila. A los diez años de edad empieza a estudiar dibujo y pintura con Carolus-Duran ( 1866 ), luego asiste una breve temporada a la Escuela de Bellas Artes de Colas. En 1878 se traslada a París, traba amistad con [ François Bonvin|F.
Henri-Edmond Cross (1856 - 1910) En abril de 1893, Henri-Edmond Cross, instalado desde hacía dos años en el Sur de Francia, recibió una carta por la cual su amigo, el pintor Paul Signac, le propone: "¿Porqué, ya que a ambos nos gusta y conocemos este país del sol, no intentaríamos en común, erigirle un monumento decorativo?".
An exhibition of the work of Henry-Edmond Cross opened at the Druet Gallery in Paris on 21 March 1905. Emile Verhaeren, in a letter prefacing the catalogue, described the surroundings in which his friend had been living since he had joined him in the South of France: "I see the sea close by, the mountain chain of the Maures and in the distance ...
Cross showed the painting at the third exhibition of the Neo-impressionist group and the Salon des Indépendants in 1894, before giving it to Signac. Henri Matisse saw it for the first time in Signac's dining room at La Hune and in turn used it as an inspiration for his painting Luxury, Calm and Voluptuousness.
Henri-Edmond Cross was a practitioner of the Neoimpressionist style of painting, a short-lived avantgarde movement in the late nineteenth century which emphasized the use of separate touches of interwoven pigment to achieve greater vibrancy of color in the observer’s eye. In Pines Along the Shore, painted in the south of France overlooking ...
