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  1. en.wikipedia.org › wiki › Henry_JoostHenry Joost - Wikipedia

    Henry Joost (born October 30, 1982) is a German-born American filmmaker, whose work includes directing, with Ariel Schulman, the films Catfish, Paranormal Activity 3, Paranormal Activity 4, Nerve and Project Power.

    • American
    • October 30, 1982 (age 40), Frankfurt, Germany
    • Filmmaker
    • .mw-parser-output .marriage-line-margin2px{line-height:0;margin-bottom:-2px}.mw-parser-output .marriage-line-margin3px{line-height:0;margin-bottom:-3px}.mw-parser-output .marriage-display-ws{display:inline;white-space:nowrap}, Sofia Black-D'Elia ​(m. 2021)​
  2. www.imdb.com › name › nm1160962Henry Joost - IMDb

    Henry Joost. Director: Paranormal Activity 3. Ariel "Rel" Schulman and Henry Joost are a directing team, best buds, and founders of the New York City production company Supermarché. Their first feature documentary, Catfish, premiered at the Sundance film festival in 2010.

    • January 1, 1
    • 2 min
    • Frankfurt am Main, Hesse, Germany
  3. www.henryjoost.comHenry Joost

    Rodrigo resting between takes. He had to endure five hours in the special effects makeup trailer everyday before we started shooting. The suit was heavy and hot.

  4. Biografía de Henry Joost y su filmografía, todas sus películas: Nerve, Vigilante, Paranormal Activity 3, Proyecto Power, Catfish.

  5. Henry Joost. Director: Paranormal Activity 3. Ariel "Rel" Schulman and Henry Joost are a directing team, best buds, and founders of the New York City production company Supermarché. Their first feature documentary, Catfish, premiered at the Sundance film festival in 2010.

    • October 30, 1982
  6. Henry Joost es un director y director de fotografía de Alemania conocido por Nerve, un juego sin reglas, Paranormal Activity 3, Paranormal Activity 4, Proyecto Power, Vigilante (Serie de TV), Catfish, Viral, El refugio secreto, Fan Fantasy (C) y Australian Psycho (C)

  7. 14 de ago. de 2020 · Desde el principio de Proyecto Power, Joost y Shulman vuelven a manifestar su gusto o su inclinación por la narrativa con imágenes ocasionales de un entorno digital o de aparatos electrónicos.