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  1. Hace 5 días · I've got a list of CDs that I believe every music fan of Williams, Morricone and Mancini should own. First off John Williams: My personal favorite and absolute must have from Mr Williams is not Star Wars, but Jaws: Original Motion Picture Soundtrack. MCA Records MCAD 1660, 1992. What a...

  2. Hace 5 días · Dmitry Matheny and his band will be playing new arrangements of Mancinis classic hits like Moon River, Charade, Dreamsville, Slow Hot Wind (Lujon), Pink Panther, Days of Wine and Roses, Touch of Evil, Two For The Road, Romeo & Juliet (A Time For Us), Mr. Lucky, and Peter Gunn.

  3. Hace 2 días · 18 heures 51 minutes 18 h 51 Titre : CHARADE Interprète(s) : JACK JONES, ROGER WILLIAMS Album : JACK JONES' GREATEST HITS Compositeur(s) : HENRY MANCINI, JOHNNY MERCER, JOHN HERNDON Maison de ...

  4. Hace 6 días · Henry Mancini This is mood music and very different from any other Mancini's L/P's with the voices at a minimum !! 7. ... Country's Greatest Hits.V.A. (1)

  5. Hace 5 días · Originally meant as a Charade follow-up for Cary Grant and Audrey Hepburn, Arabesque is something like The Family Plot by way of Richard Lester: a deliriously mod comic-thriller (lensed in vibrant Technicolor by the great Christopher Challis) that follows Peck and Loren zipping around London to Henry Mancini’s exotica-tinged score, and remains one of the finest—if manic—examples of Donen ...

  6. Hace 5 días · This list includes every major Chicago single, from "If You Leave Me Now" to "25 or 6 to 4," but true fans know there are other great songs to vote on besides the radio hits. Music videos and lyric videos are included next to each song name, so if you haven't heard a track you can listen to it right here on this page.

  7. Hace 1 día · Producer (s) Fox and Gimbel. Audio. "Killing Me Softly With His Song - Lori Lieberman (1972)" on YouTube. " Killing Me Softly with His Song " is a song composed by Charles Fox with lyrics by Norman Gimbel. The lyrics were written in collaboration with Lori Lieberman after she was inspired by a Don McLean performance in late 1971.