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  1. Henry Wriothesley, 3rd Earl of Southampton, KG (pronunciation uncertain: / ˈ r ɛ z l i / "Rezley", / ˈ r aɪ z l i / "Rizely" (archaic), / ˈ r ɒ t s l i / (present-day) and / ˈ r aɪ ə θ s l i / have been suggested; 6 October 1573 – 10 November 1624) was the only son of Henry Wriothesley, 2nd Earl of Southampton, and Mary Browne ...

  2. 9 de abr. de 2024 · Henry Wriothesley, 3rd earl of Southampton (born October 6, 1573, Cowdray, Sussex, England—died November 10, 1624, Bergen op Zoom, Netherlands) was an English nobleman and William Shakespeare’s patron. Henry Wriothesley succeeded to his father’s earldom in 1581 and became a royal ward under the care of Lord Burghley.

    • The Editors of Encyclopaedia Britannica
  3. Henry Wriothesley, 3rd Earl of Southampton, was an English nobleman who would probably have been forgotten had it not been for one distinction – the fact he was Shakespeare’s patron. Tw o of Shakespeare’s long poems were dedicated to Henry Wriothesley, who became a patron of Shakespeare, and some scholars also believe that he is the ...

  4. A 19th century copy of an earlier portrait of the Earl of Southampton. Henry was a popular but controversial figure. He came from a Catholic dynasty - a major sticking point in post-reformation England.

  5. On 2 July 1603 he was created K.G. Five days later he was appointed captain of the Isle of Wight and Carisbrooke Castle, as well as steward, surveyor, receiver, and bailiff of the royal manors in the island. He was recreated Earl of Southampton (21 July 1603), and on 18 April 1604 was fully restored in blood by act of parliament.

  6. 3 de abr. de 2024 · This was Henry Wriothesley (15731624), 3rd Earl of Southampton, a courtier best known today as William Shakespeare's early patron and the rumoured inspiration behind the 'fair youth' and the 'master-mistress' of his sonnets.

  7. Henry Wriothesley (15731624), third earl of Southampton, is best remembered today as a patron of William Shakespeare. In his youth, several other Elizabethan poets enjoyed his support and he was a significant figure in the cultural life of late sixteenth-century England.