Resultado de búsqueda
A newspaper editor uses every trick in the book to keep his ace reporter ex-wife from remarrying. Having been away for four months, Hildy Johnson (Rosalind Russell) walks into the offices of the New York City-based The Morning Post, where she is a star reporter, to tell her boss, editor Walter Burns (Cary Grant), that she is quitting.
22 Oct 2020. 20 Jun 2012. Walter Burns is an irresistibly conniving newspaper publisher desperate to woo back his paper’s star reporter, who also happens to be his estranged wife. She’s threatening to quit and settle down with a new beau, but, as Walter knows, she has a weakness: she can’t resist a juicy scoop.
His Girl Friday (1940) -- (Movie Clip) The Real Red Menace In the press room at the courthouse, Howard Hawks directs the guys from Ben Hecht’s original play (Roscoe Karns as McCue, Porter Hall as Murphy, Ernest Truex as Roy, Cliff Edwards as Endicott, Frank Jenks as Wilson), and Roz Russell convincing as the title character, their pal Hildy, informing them she’s done, in His Girl Friday, 1940.
When hard-charging New York newspaper editor Walter Burns (Cary Grant) discovers that his ex-wife, investigative reporter Hildy Johnson (Rosalind Russell), h...
- 92 min
- 357.2K
- Retrospective - Classic Movies
16 de feb. de 2024 · His Girl Friday – Reseña RESEÑAS febrero 11, 2022 febrero 10, 2022 Miguel Ángel Maldonado Como si estuviera dentro del ADN humano, cada vez que llega una festividad pretendemos adaptar nuestra cotidianidad en función de tan peculiares celebraciones.
9 de ene. de 2017 · His Girl Friday positively revels in their absence. From her ex, Hildy gets none of the little courtesies that in 1940 were supposed to make women feel respected. Walter pulls out his cigarettes without a word to Hildy; she asks for one and he tosses it to her, and the matches soon follow—no Now, Voyager rituals here.
19 de mar. de 2024 · His Girl Friday, American screwball comedy film, released in 1940, that was director Howard Hawks’s innovative remake of The Front Page (1931). The lightning-fast repartee and prickly courtship of the film’s two leads made it a classic in the genre.
