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6 de feb. de 2024 · With “Midnight Creeper,” Lou Donaldson hit his stride during his second run of recordings for Blue Note in the late 1960s. Together with a world-class rhythm section, he helped shape the soul-jazz sound of an era.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990.
Lou Donaldson (born November 1, 1926) [1] is an American retired jazz alto saxophonist. He is best known for his soulful, bluesy approach to playing the alto saxophone, although in his formative years he was heavily influenced by Charlie Parker, as were many during the bebop era. [1] Life and career. Donaldson in Buffalo, New York.
En 1954, Donaldson se unió durante un breve período al conjunto Jazz Messengers, y apareció en uno de los primeros discos del género hard bop, A Night at Birdland. [2] En 2012, fue nombrado NEA Jazz Master por el National Endowment for the Arts, la distinción más alta otorgada a un músico de jazz en EE. UU. [3] Estilos
- desde 1952
- Compositor, saxofonista y músico de jazz
- Estadounidense
2 de abr. de 2003 · From his first recordings for the label with Art Blakey's Jazz Messengers, it was clear that Lou Donaldson put melody and sound at a premium, coming up with an amalgam that combined the creamy smoothness of Johnny Hodges with the quicksilver bop inflections of Charlie Parker.
- C. Andrew Hovan
2 de oct. de 2015 · By late 1953 Silver and Blakey were calling themselves Horace Silver and the Jazz Messengers and it was a relationship that lasted for 4 years, during which they recorded, Birdland ( A Night at...
He also recorded sessions in 1953 with Clifford Brown and Philly Jones, who would go on to record some of jazz’s most iconic records. He briefly joined the Jazz Messengers in 1954 and was featured on A Night at Birdland, one of their most well-received albums.
