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  1. About. Andie needs to prove she can dump a guy in 10 days. Ben needs to prove he can win a girl in 10 days. Now, the clock is ticking - and the year's most wildly entertaining comedy smash is off and running in this irresistible tale of sex, lies and outrageous romantic fireworks!

  2. Regarding How to Lose a Guy in 10 Days, it must be a familiar and favorite one for rom-com fans. Even 20 years later, it still resonates with the audience. Here is a list of 12 similar movies like How to Lose a Guy in 10 Days; if you want to find some rom-com streaming on Hulu, Amazon, Apple, and others, don’t hesitate to follow us!

  3. 6 de feb. de 2023 · Kate Hudson and Matthew McConaughey reunited to celebrate the 20th anniversary of How to Lose a Guy in 10 Days, which first debuted in theaters on Feb. 7, 2003.

    • 4 min
    • Stacy Lambe
  4. COMEDY. Andie Anderson writes an advice column for a fashionable magazine and agrees to demonstrate how easy it is to attract and alienate a man in just ten days. She chooses Benjamin Barry, little knowing he's an advertising executive whose job rests on proving he understands women so well that he can make one fall for him in two weeks.

  5. Come farsi lasciare in 10 giorni (How to Lose a Guy in 10 Days) è un film del 2003 diretto da Donald Petrie, con Matthew McConaughey e Kate Hudson.. Trama. Andie Anderson, ambiziosa, determinata e con alle spalle un master in giornalismo, è «La ragazza come fare…» (The how to do girl) di Composure Magazine, rivista di tendenza e moda più in voga del momento e per la quale Andie scrive ...

  6. A player (Matthew McConaughey) bets his co-workers he can make a woman fall in love with him in just 10 days. But he bets on the wrong girl (Kate Hudson) -- a writer with her own agenda. IMDb 6.5 1 h 55 min 2003. 16+. Comedy · Romance · Feel-good · Passionate.

  7. 7 de feb. de 2003 · How To Lose A Guy In 10 Days. I am just about ready to write off movies in which people make bets about whether they will, or will not, fall in love. The premise is fundamentally unsound, since it subverts every love scene with a lying subtext. Characters are nice when they want to be mean, or mean when they want to be nice.

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