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21 de feb. de 2024 · Hubert Robert. Blending fantasy and factual accuracy, Hubert Robert's views of classical and contemporary architecture were immensely popular during his lifetime. Robert was best known for his paintings of ruins. His immense, crumbling monuments of an often-imaginary past earned him the nickname, "Robert des Ruines" (Robert of the Ruins).
Museo Nacional Thyssen-Bornemisza. Hubert Robert. Hijo de un oficial al servicio del marqués de Stainville, Hubert Robert se formó en el prestigioso Collège de Navarre, en París. Sus primeras lecciones de dibujo las recibió seguramente del escultor René-Michel Stodtz, aunque también se ha sugerido un posible aprendizaje con el pintor ...
Hubert Robert was born in Paris in 1733. His father, Nicolas Robert, was in the service of François-Joseph de Choiseul, marquis de Stainville a leading diplomat from Lorraine. Young Robert finished his studies with the Jesuits at the Collège de Navarre in 1751 and entered the atelier of the sculptor Michel-Ange Slodtz who taught him design and perspective but encouraged him to turn to painting.
15 de jun. de 2016 · Hubert Robert, 1733-1808. Hubert Robert was one of the 18th century's most successful artists, and his career is paradigmatic of the pleasures and vicissitudes of his era. Born in Paris, he studied painting in Italy (1754–1765) as a protégé of the duc de Choiseul, who helped him obtain a special entrée to the French Academy in Rome ...
Hubert Robert né le 22 mai 1733 à Paris 1 et mort le 15 avril 1808 dans la même ville est un peintre français, dessinateur, graveur, professeur de dessin, créateur de jardins et conservateur au muséum central des arts de la République (futur musée du Louvre). Il est un des principaux artistes français du XVIIIe siècle.
30 de may. de 2016 · Le musée du Louvre rend hommage à l’un des plus brillants artisans de sa création, artiste de premier plan au talent visionnaire. Bien plus que le peintre de ruines et de paysages dont la postérité a gardé l’image, Hubert Robert fut l’un des plus grands créateurs d’imaginaire poétique du 18e siècle. Véritable homme des ...
Hubert Robert. Paris, 1989, p. 120. Paul Bernard Wilson. "Profiles in Royalty: Hubert Robert's 'The Mouth of a Cave' and a Concealed Iconography of Louis XVI." Album Amicorum Kenneth C. Lindsay: Essays on Art and Literature. Ed. Susan Alyson Stein and George D. McKee. Binghamton, 1990, pp. 183–84. Joseph Baillio.
