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Hunt Stromberg (July 12, 1894 – August 23, 1968) was a film producer. In a prolific 30-year career beginning in 1921, Stromberg produced, wrote, and directed some of Hollywood's most profitable and enduring films, including The Thin Man series, the Nelson Eddy/Jeanette MacDonald operettas, The Women, and The Great Ziegfeld, which won the Academy Award for Best Picture of 1936.
Hunt Stromberg was one of a handful of supervisory producers who helped create the great MGM films of the 1930s. As a protégé of Irving Thalberg, the boy-genius executive producer at MGM until his death in 1936, Stromberg helped bring together such classics as The Thin Man , Naughty Marietta , and Marie Antoinette .
A former St. Louis sports reporter, Hunt Stromberg entered movies in the pre-World War One era as a publicity agent for the Goldwyn company. In 1919, he became the personal representative of film mogul Thomas H. Ince; two years later Stromberg was himself a producer, turning out a series of low-budget independent features.
Hunt Stromberg (1894 - 1968) fue un/una productor/a y guionista de Estados Unidos conocido por: La extraña mujer, Demasiado tarde para lágrimas, Pasión que redime, Semilla de odio, Esclava de un recuerdo, Roaring Rails, Delightfully Dangerous, A Trip Through the World's Greatest Motion Picture Studios (C), Soft Shoes y Winning the Futurity
Hunt Stromberg was born on July 12, 1894 in Louisville, Kentucky, USA. He was a producer and director, known for The Thin Man (1934), Sweethearts (1938) and Naughty Marietta (1935). He was married to Katherine Kerwin. He died on August 23, 1968 in Santa Monica, California, USA.
Find a Grave Memorial ID: 5430. Source citation. Motion Picture Producer. A native of Louisville, Kentucky, he started out as a sportswriter in St. Louis and became publicity director for Goldwyn Pictures in 1915. In 1921 he formed Hunt Stromberg Productions and cranked out low-budget comedies and westerns for the Robertson-Cole theatre circuit.
Biographie. Hunt Stromberg est le producteur (parfois exécutif) de soixante-douze films américains, de 1922 à 1951 — année où il se retire —, d'abord en indépendant, puis au sein de la Metro-Goldwyn-Mayer (MGM) entre 1925 et 1942, enfin à nouveau en indépendant.
