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  1. 17 de abr. de 2024 · The National Theatre and The Times have revealed the nominees for this year’s Ian Charleson Awards 2024. The annual awards celebrate the best performances by actors under 30 in a classical role – which is work written before 1918. The awards honour acclaimed British actor Ian Charleson who died of AIDS in 1990 aged 40.

  2. 17 de abr. de 2024 · 17 April 2024. Toheeb Jimoh and Isis Hainsworth, © Marc Brenner. The nominees for this year’s Ian Charleson Awards have been revealed. Celebrating those under the age of 30 appearing in a classical role across the previous year, nominees come from venues on tour and across London.

  3. Hace 1 día · His dedication was recognized in 2003 with a commendation at the Ian Charleson Awards, a testament to his early promise. Throughout his career, Ready has consistently demonstrated a remarkable versatility, effortlessly transitioning between mediums and captivating audiences with his nuanced portrayals.

  4. 7 de may. de 2024 · Natalie Simpson won the prestigious Ian Charleson Award in 2017 and her recent stage appearances include Jack Absolute Flies Again and Three Sisters at the National Theatre. Making his London theatre debut, Danish-born Thomas Levin’s credits include Constellations and Ghosts , Aarhus Teater and the Danish TV drama series Borgen.

  5. 18 de abr. de 2024 · Acting & Performance Awards Ian Charleson Awards Shakespeare. Toheeb Jimoh, Francesca Mills and Taheen Modak are among the nominees for this year’s Ian Charleson Awards, which celebrate...

  6. Hace 6 días · Mariah is a regular of the London stage who won the Ian Charleson Award for her first appearance at Southwark Playhouse (in ’Tis Pity She’s A Whore). In the roles of her daughters are screen star Elizabeth Dulau ( Andor , Disney+; All the Light We Cannot See , Netflix) as Ida, and esteemed AACTA-nominated Australian actress ...

  7. 21 de abr. de 2024 · Written by Brett Snelgrove and Lawrence Carmichael, it’s an attempt to blend the rambunctious energy of street performers with a more theatrical mode of storytelling, not really musical theatre or the dreaded ‘play with songs’ but a Britflick on stage with a banging soundtrack.