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  1. In All Languages is a 1987 double album by Ornette Coleman. Coleman and the other members of his 1950s quartet, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins, performed on one of the two records, while his electrified ensemble, Prime Time, performed on the other.

    • February 1987
  2. Don Cherry (Oklahoma City, 18 de noviembre de 1936–Málaga, España, 19 de octubre de 1995) fue un trompetista, multi-instrumentista y compositor estadounidense de jazz, uno de los principales representantes del free jazz y precursor de la world-music.

    • Donald Eugene Cherry
  3. Cherry recorded again with the original Ornette Coleman Quartet on Coleman's 1987 album In All Languages, Other playing opportunities in his career came with Carla Bley's Escalator Over The Hill project, and as a sideman on recordings by Lou Reed, Ian Dury, Rip Rig + Panic and Sun Ra.

  4. Pronunciation: Cherry in Different Languages: Please find below many ways to say cherry in different languages. This page features translation of the word "cherry" to over 100 other languages. We also invite you to listen to audio pronunciation in more than 40 languages, so you could learn how to pronounce cherry and how to read it.

  5. From The Avant-Garde with John Coltrane to Evidence with Steve Lacy and a small catalog of recordings with Albert Ayler, Archie Shepp, Sonny Rollins, and Pharoah Sanders in between, Don Cherry was a somewhat ubiquitous presence on the great free jazz records of the 1960s.

  6. He remained with the group until 1961, although they collaborated again on 1969’s Crisis as well as the complete original quartet reunion In All Languages 1987. After that, he continued exploring with other players like John Coltrane (for 1961’s The Avant-Garde), Sonny Rollins (1962’s On The Outside and Our Man In Jazz), and Albert Ayler ...

  7. 5 de mar. de 2015 · El 18 de noviembre de 1936 nació en Oklahoma City el cornetista y trompetista de jazz Don Cherry, un músico que tuvo un importante papel en varias direcciones estilísticas que tomó el jazz en los años 50 y 60.