Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. In All Languages is a 1987 double album by Ornette Coleman. Coleman and the other members of his 1950s quartet, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins, performed on one of the two records, while his electrified ensemble, Prime Time, performed on the other.

    • February 1987
  2. Don Cherry (Oklahoma City, 18 de noviembre de 1936–Málaga, España, 19 de octubre de 1995) fue un trompetista, multi-instrumentista y compositor estadounidense de jazz, uno de los principales representantes del free jazz y precursor de la world-music.

    • Donald Eugene Cherry
  3. Cherry recorded again with the original Ornette Coleman Quartet on Coleman's 1987 album In All Languages, Other playing opportunities in his career came with Carla Bley's Escalator Over The Hill project, and as a sideman on recordings by Lou Reed, Ian Dury, Rip Rig + Panic and Sun Ra.

  4. Cherry was Ornette Coleman’s longest standing musical partner, performing on almost all of the saxophonist’s most important records from 1958’s Something Else to the musical manifesto of Free Jazz in 1960, the indefinable Science Fiction of 1971, to a sort of summing up of In All Languages in 1987.

  5. 24 de oct. de 2023 · In 1987 Cherry had also joined a reunited 1959 Coleman quartet on Coleman’s album “In All Languages,” which saw Haden and Cherry together with drummer Billy Higgins play one half of the double album, in contrast to Coleman’s electric group Prime Time. Ornette Coleman plays with Don Cherry at the Molde International Jazz ...

  6. 5 de mar. de 2015 · Los años siguientes siguió explorando más horizontes de música global publicando trabajos con extraordinarias composiciones, muchas de ellas de una solemne complejidad. También volvería a trabajar con Coleman ('In All Languages', 1987) y su álbum 'Art Deco' de 1989 recibiría de la revista Rolling Stone el título de 'album ...

  7. Cherry started to experiment with the pocket trumpet during this period. Although it was a smaller version of jazz instruments, it gave him his unique style and timbral qualities. He remained with the group until 1961, although they collaborated again on 1969’s Crisis as well as the complete original quartet reunion In All Languages 1987.