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After Modernism: The Dilemma of Influence: Directed by Michael Blackwood. With Isa Genzken, David Hammons, Mike Kelley, Bertrand Lavier. Since the 1960s, other disciplines, cultures, and artists previously excluded from modernism's privileged canons have become absorbed into an ever expanding field of activity and influence.
- Michael Blackwood
- 1992
- Documentary
- 58
After Modernism: The Dilemma of Influence. Summary. Credits. 1992 / 58 min. / color. Directed by Michael Blackwood. Isa Genzken, David Hammons, Mike Kelley, Bertrand Lavier, Laurie Simmons, Richard Wentworth; consultant Kasper Konig. Narration by Sasha Newman.
10 de nov. de 2016 · Narration by Sasha Newman. Since the 1960s, other disciplines, cultures, and artists previously excluded from modernism’s privileged canons have become absorbed into an ever expanding field of activity and influence. Younger artists are a new breed of cultural scavengers, anything or anyone is fair game for appropriation or reinterpretation.
- 2 min
- 631
- Michael Blackwood Productions
You can buy "After Modernism: The Dilemma of Influence" on Amazon Video as download or rent it on Amazon Video online. Synopsis Since the 1960s, other disciplines, cultures, and artists previously excluded from modernism's privileged canons have become absorbed into an ever expanding field of activity and influence.
- Michael Blackwood
- 58
- Documentary
- Self; Self; Self
After Modernism: The Dilemma of Influence (1992) directed by Michael Blackwood • Reviews, film + cast • Letterboxd. 1992 Directed by Michael Blackwood. Since the 1960s, other disciplines, cultures, and artists previously excluded from modernism’s privileged canons have become absorbed into an ever expanding field of activity and influence.
- Michael Blackwood
Since the 1960s, other disciplines, cultures, and artists previously excluded from modernism’s privileged canons have become absorbed into an ever expanding field of activity and influence. Synopsis
After Modernism: The Dilemma of Influence. The purposeful dismantling of the modernist myth has been the central issue of contemporary art making and art criticism. Meaning is no longer fixed, context is everything.
