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Ishirō Honda (Japanese: 本多 猪四郎 （ いしろう ）, Hepburn: Honda Ishirō, 7 May 1911 – 28 February 1993) was a Japanese filmmaker who directed 46 feature films in a career spanning five decades.
- 1934–1992
- 28 February 1993 (aged 81), Setagaya, Tokyo, Japan
Ishirō Honda (Yamagata, 7 de mayo de 1911-Tokio, 28 de febrero de 1993), también conocido como Inoshiro Honda, fue un cineasta japonés. Es probablemente más conocido por sus películas tokusatsu, entre las que se incluyen varias de la serie Godzilla.
- 28 de febrero de 1993 (81 años), Tokio (Japón)
- Insuficiencia respiratoria
- 本多猪四郎
Ishirô Honda (1911-1993) Director. Writer. Second Unit Director or Assistant Director. IMDbPro Starmeter See rank. Play clip 3:22. Godzilla Vs. the MonsterVerse. 1 Video. 2 Photos. Influential Japanese film director born May 7th, 1911, often credited as being the father of Godzilla.
- January 1, 1
- Yamagata, Japan
- January 1, 1
- Tokyo, Japan
Ishirō Honda: La vida de un niño capaz de reinventarse, de un hombre capaz de sobrevivir. Desde muy joven, Honda, el hijo de un monje budista, quedó fascinado por el poder del cine en una asamblea escolar cuando vio su primera película, un western estadounidense silencioso, pero no fue hasta que su familia se mudó a Tokio, mientras Ishirō ...
Ishirô Honda. Director: Godzilla. Influential Japanese film director born May 7th, 1911, often credited as being the father of Godzilla. His name is a combination of "I" (or Ino), meaning "boar", and "shirô," meaning fourth son in the family.
- May 7, 1911
- February 28, 1993
24 de oct. de 2019 · By Steve Ryfle. Features — Oct 24, 2019. Share. D irector Ishiro Honda gathered his crew and gave them an ultimatum. He was about to put his career at risk, and he would only work with those who approached his current project—a movie about a radiation-spewing prehistoric reptile that destroys Tokyo—with the utmost seriousness, as he himself did.
Hace 5 días · Honda Ishirō was a Japanese filmmaker who worked closely with Kurosawa Akira but was perhaps best known for his leading role in Japan’s kaijū eiga (“monster movie”) craze of the 1950s and ’60s, mostly through his direction of Gojira (1954; Godzilla) and several of its sequels.
