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  1. 19 de ago. de 2018 · Jazz Violinist Regina Carter gives a rare extensive candid interview, diving into her inspiring beginnings as a stand-alone jazz violinist, jumping to jazz from classical training, inspiring stories of encouraging mentors, and also, her tender experiences of supporting her mother and other loved ones through music.

  2. Blues De Basile. This Cajun dance song written by Dennis McGee and arranged by accordionist Will Holshouser had been included in the live sets before Carter planned this recording. “The tempo is very freeing,” said Carter. “It’s almost like a party tune at the end of the night. Like the third set of the club that’s not so formal.”.

  3. Regina Carter's mother had everything planned out. Her precocious daughter, whose violin teacher was so impressed with Regina's musical potential that she was placed in an accelerated Suzuki program at age 4, would become a classical violinist. Regina would play in a respected symphony orchestra — preferably in her hometown of Detroit.

    • May 18, 2024
  4. music.youtube.com › channel › UCK4KfCXYZqgkXhjuHionZ8QRegina Carter - YouTube Music

    Ray Brown Trio feat. Regina Carter (violin) - Lady Be Good. A new music service with official albums, singles, videos, remixes, live performances and more for Android, iOS and desktop. It's all here.

  5. 10 de abr. de 2021 · Regina Carter. Lara Downes. Facebook. Flipboard. Email. The genre-disrupting violinist talks about the problem with labeling music and the importance of being a role model for young women.

    • 3 min
    • Lara Downes
  6. Cook's band expands around the sublime piano work of Cyrus Chestnut (or the more rambunctious piano of Andy Milne) to include violinist Regina Carter, who has a prodigious fullness of tone. Cook tackles tunes by Milton Nascimento, Marvin Gaye, and even Neil Young. And it all works flawlessly.

  7. 1 de ene. de 1995 · Carter wrote or co-wrote six of the ten tracks, but this is not to say it’s all samey and predictable. The highlight is the Mark Helias piece “Beau Regard” in a 6/8 rhythm, where trombonist Steve Turre and Carter play wonderfully rich unison lines while pianist Rachel Z embellishes with her own gossamer-like, forward-moving runs.