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  1. Despite being a jazz fusion fan, somehow I missed Live At The Greek way back when, so it was a treat to discover it. All the players here have pedigree: Stanley Clarke from Return To Forever, Larry Carlton from The Crusaders, Billy Cobham from The Mahavishnu Orchestra, Daron Johnson played with Miles Davis in the early '90s, and Najee, well know in smooth jazz circles, shows his fusion chops here.

  2. 1994 It's Time; 2007 If Only... With George Howard. 1986 A Nice Place to Be; 1988 Reflections; 1992 Do I Ever Cross Your Mind? 1993 When Summer Comes; With Freddie Hubbard. 1979 The Love Connection; 1981 Mistral; 1989 Times Are Changing; With Bobby Lyle. 1985 Night Breeze; 1994 Rhythm Stories; With Teena Marie. 1983 Robbery; 1986 ...

  3. Modern Man is the fifth album by jazz fusion bassist Stanley Clarke. "Dayride" from the Return to Forever album No Mystery (1975) was re-recorded for this album. Also included was "More Hot Fun", a sequel to "Hot Fun" from the previous album School Days .

    • 1978
  4. 15 de nov. de 2022 · Clarke's Carl Thompson piccolo also bass makes an appearance on three tracks on the album. "He had this really trebly, almost banjo-like tone that I immediately sought after," says David Ellefson. "From that time Stanley’s tone became a sound that I modelled for clarity in my thrash metal bass work."

    • Nick Wells
    • It's Time Stanley Clarke1
    • It's Time Stanley Clarke2
    • It's Time Stanley Clarke3
    • It's Time Stanley Clarke4
  5. 21 de abr. de 2022 · Jazz Night profiles bassist, composer, producer, arranger and 2022 NEA Jazz Master Stanley Clarke. Hear stories from his collaborators and travel through sonic landmarks in Clarke's storied...

  6. Regístrate para Deezer Free y escucha Stanley Clarke: discografía, canciones top y playlists.

  7. 13 de may. de 2022 · How Stanley Clarke made Up: creativity and the art of bass liberation. By Chris Roberts. ( Prog ) last updated 13 May 2022. On 2014's Up, the ever-innovative Stanley Clarke nodded to his past while continuing to explore the outer reaches of bass, in another love letter to the instrument. Stanley Clarke likes to use the phrase “bass liberation”.