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Jack Cole (April 27, 1911 – February 17, 1974) was an American dancer, choreographer, and theatre director known as "the Father of Theatrical Jazz Dance" for his role in codifying African-American jazz dance styles, as influenced by the dance traditions of other cultures, for Broadway and Hollywood.
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- February 17, 1974 (aged 62), Los Angeles, California, U.S.
- John Ewing Richter, April 27, 1911, New Brunswick, New Jersey, U.S.
10 de abr. de 2019 · 10 April 2019. By Vincent Dowd,Arts reporter, BBC News. Alamy. The sensuality of Marilyn Monroe's dance routine in Gentlemen Prefer Blondes was ground-breaking for 1953. He's been called the father...
Jack Cole (New Castle, de Pensilvania, 14 de diciembre de 1914 - 13 de agosto de 1958) fue un historietista estadounidense, conocido como el creador del superhéroe cómico Plastic Man y sus caricaturas para la revista Playboy.
20 de jul. de 2013 · Jack Cole, one of the greatest yet least known jazz choreographers is thought of by some as the father of theatrical jazz dance, responsible for the jazz we know today. He was the influencer behind huge choreographic names such as Bob Fosse, with his work reaching the likes of modern dance greats Alvin Ailey and Jerome Robbins.
Jack Cole (27 de abril de 1911 - 17 de febrero de 1974) fue un bailarín, coreógrafo y director de teatro estadounidense conocido como "el padre de la danza teatral de jazz". Jack Cole, nacido como John Ewing Richter, hizo su debut profesional en la danza con Denishawn en el estadio Lewisohn de la ciudad
12 de dic. de 2018 · By Andrew Choreographer | Dec 12, 2018. “The following article was written by myself and appears on my Facebook page, acknowledging the contribution of Choreographer Jack Cole and his contribution to the world of dance.” – Andrew Choreographer. Jack Cole, “Cole technique” is the basis of what is American/Theatrical Jazz Dance today.
Published: February 2014. Cite. Permissions. Share. Abstract. Jack Cole is credited as the father of theatrical jazz dance. His career spanned from the 1920s through the 1950s and he developed a specific method of training theatrical jazz dancers in a style which he called “jazz-ethnic-ballet”.
