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Jacques-Louis David. Autoportrét Jacquese-Louise Davida, 1794, muzeum Louvre, Paříž, Francie. Některá data mohou pocházet z datové položky. Jacques-Louis David ( 30. srpna 1748, Paříž – 29. prosince 1825, Brusel) byl francouzský neoklasicistní malíř. David se později stal aktivním podporovatelem francouzské revoluce a ...
Jacques-Louis David was born in Paris in 1748, the son of an iron merchant who was killed in a duel (an unusual circumstance in his social class), when the boy was nine years old. His mother, Geneviève Buron, came of a family of builders and architects and was distantly related to the painter François Boucher (1703-1770).
3 de may. de 2021 · Figure de proue du néoclassicisme français, révolutionnaire engagé puis premier peintre de Napoléon I er, Jacques-Louis David (1748–1825) a un parcours exceptionnel. Grand rénovateur du classicisme antique dans la peinture d’histoire, ce fervent adepte des théories de l’historien de l’art Johann Joachim Winckelmann est l’auteur ...
25 de feb. de 2024 · Jacques-Louis David nacque il 30 agosto 1748 a Parigi, Francia. Iniziò a studiare arte fin da giovane, mostrando un talento straordinario per il disegno e la pittura. Nel 1766, all’età di diciotto anni, entrò nell’Accademia Reale di Pittura e Scultura di Parigi, dove ricevette una formazione accademica classica sotto la guida di artisti ...
Die Krönung von Napoleon (Le Sacre de Napoléon), 1805–1807, Louvre, Paris. Jacques-Louis David (* 30. August 1748 in Paris; † 29. Dezember 1825 in Brüssel) war ein französischer Historienmaler des Klassizismus .
Jacques Louis David fue el pintor que mejor encarna el espíritu del neoclasicismo y de la pintura neoclasicista francesa. Nació en 1748 y a temprana edad estudió en la Academia de París. Sus viajes a Italia donde halló los restos de la civilización romana antigua fueron conformando su pintura. La vida de David estuvo vinculada a los ...
The art of Jacques Louis David embodies the style known as Neoclassicism, which flourished in France during the late eighteenth and early nineteenth centuries.David championed a style of rigorous contours, sculpted forms, and polished surfaces; history paintings, such as his Lictors Bringing Brutus the Bodies of His Sons (Musée du Louvre, Paris) of 1789, were intended as moral exemplars.
