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Jane Morris, Detail aus einer Fotografie von John Robert Parsons (1865) Jane Morris (geborene Burden; * 19. Oktober 1839 in Oxford; † 26. Januar 1914 in Bath) war Modell und Muse der englischen Künstlerbewegung der Präraffaeliten und Ehefrau des Malers, Dichters und Druckers William Morris .
The Collected Letters of Jane Morris. Jane Morris, Frank C. Sharp. Boydell Press, 2012 - Art - 487 pages. Presents 570 newly discovered letters from Jane Morris to diverse correspondents, which radically revise the popular view of a silent, discontented invalid and instead portray her as an independent thinker following her own causes.
16 de jun. de 2022 · May Morris, the younger daughter, imbibed her father’s socialist ideals as well as practising the devotion to craft exhibited by both her parents. Her own exquisite skills as an embroiderer, like those of her mother, have tended until recently to be overshadowed by the achievements of her father. So little is known of Jane Morris’s early ...
18 de nov. de 2014 · Jane Morris was ‘the silentest woman I have ever known’, according to George Bernard Shaw, but in recent years we have been able to hear her voice more clearly. In 2012 her Collected Letters were published, after a decade of research and editing by Jan Marsh and Frank C. Sharp.
Jane Morris (née Burden) In 1857, Burden was spotted by artists Dante Gabriel Rossetti and Edward Burne-Jones in Oxford, and was sought by them as a model. She sat initially for Rossetti and then for William Morris. The two became engaged and married in 1859. Burden was privately educated and recreated herself from the daughter of a stablehand ...
Jane Morris was considered the greatest muse of Dante Gabriel Rossetti, and his stunning portraits capturing her porcelain-skinned, raven-haired beauty embodied the Romantic ideals of the late-Victorian age. Outside the studio, Morris showed herself to have talents and abilities disconnected from Rossetti's vision.
26 de nov. de 2019 · This article furthers this exploration by examining Jane Morris’ engagement with the book arts. Through an analysis of the textual, visual and material qualities of four keepsake volumes Morris made c. 1880, this article considers how the books illuminate Morris’ material reality and emphasize their maker’s commitment to socialist ideals, artistic labour, and collaborative working.
