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Jean-Auguste-Dominique Ingres. Jean-Auguste-Dominique Ingres ( Montauban, 29 de agosto de 1780- París, 14 de enero de 1867) fue un pintor francés. No fue, en sentido estricto, neoclásico ni académico, sino un ferviente defensor del dibujo. Resulta a la vez neoclásico y romántico. 1 Ingres constituye un claro exponente del romanticismo en ...
Jean Auguste Dominique Ingres (Montauban, Francia, 1780 - París, 1867) Pintor francés. Último representante de los grandes pintores del neoclasicismo francés, Ingres se presenta sin embargo con una postura ambigua frente a los postulados clasicistas que le sitúan dentro del germen del movimiento romántico.
Portrait of an unknown, since the bust, left profile Jean Auguste Dominique Ingres • 1797 Pierre Guillaume Cazeaux, half-length, seated at a desk Jean Auguste Dominique Ingres • 1798
Jean-Auguste-Dominique Ingres (/ ˈ æ ŋ ɡ r ə, ˈ æ̃ ɡ r ə / ANG-grə, French: [ʒɑ̃ oɡyst dɔminik ɛ̃ɡʁ]; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style.
Jean Auguste Dominique Ingres falleció en París el 14 de enero de 1867. Obras seleccionadas Retrato de Napoléon Bonaparte Retrato de Frédéric Desmarais Retrato de Monsieur Rivière Retrato de Mademoiselle Rivière Le casino de l'Aurore de la villa Ludovisi Retrato de Madame Aymon, La belle Zélie Retrato de Lorenzo Bartolini
14 de mar. de 2024 · A.-D. Ingres (born August 29, 1780, Montauban, France—died January 14, 1867, Paris) was a painter and icon of cultural conservatism in 19th-century France. Ingres became the principal proponent of French Neoclassical painting after the death of his mentor, Jacques-Louis David. His cool, meticulously drawn works constituted the stylistic ...
16 de ago. de 2020 · Jean-Auguste-Dominique Ingres. Ingres was steeped in the academic tradition, which centred on study from the nude and classical art. He became the defender of a rigid classicism which contrasted with the Romanticism of Delacroix. Ingres saw himself as a history painter, the highest goal of academic art.
