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Jean Auguste Dominique Ingres, La Grande Odalisque, 1814 Ingres estuvo muy influenciado por la corriente orientalista , relanzada después de la batalla de Egipto de Napoleón . En 1806, cuando Ingres va a Italia , copia en sus cuadernos un texto en el que se habla de los «baños del serrallo de Mahoma».
Jean Auguste Dominique Ingres falleció en París el 14 de enero de 1867. Obras seleccionadas Retrato de Napoléon Bonaparte Retrato de Frédéric Desmarais Retrato de Monsieur Rivière Retrato de Mademoiselle Rivière Le casino de l'Aurore de la villa Ludovisi Retrato de Madame Aymon, La belle Zélie Retrato de Lorenzo Bartolini
Although the French neo-classical artist Jean Auguste Dominique Ingres often confessed reluctance to paint portraits, his many splendid paintings of French aristocrats and powerful personalities ultimately glorified his persona, and assured his social ascendancy in the royal circles of Louis-Philippe d’Orléans (r
19 de ago. de 2002 · Ingres, Jean-Auguste-Dominique (1780-1867). French painter, born at Montauban, the son of a minor painter and sculptor, Jean-Marie-Joseph Ingres (1755-1814). The Riviere. After an early academic training in the Toulouse academy he went to Paris in 1796 and was a fellow student of Gros in David 's studio. He won the Prix de Rome in 1801, but ...
Location of La Grande Odalisque. Despite almost continuous criticism during Ingres’ lifetime, the painting was purchased in 1899 by the Louvre Museum in Paris, where it hangs to this day as one of its masterpeices. La Grande Odalisque is an 1814 painting by French Neoclassical artist Jean-Auguste-Dominique Ingres.
