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29 de abr. de 2024 · Jean Baudrillard (born July 29, 1929, Reims, France—died March 6, 2007, Paris) was a French sociologist and cultural theorist whose theoretical ideas of “hyperreality” and “simulacrum” influenced literary theory and philosophy, especially in the United States, and spread into popular culture.
- The Editors of Encyclopaedia Britannica
28 de abr. de 2024 · A cinco años de la muerte del filósofo y sociólogo francés Jean Baudrillard, y como parte de una serie de homenajes que se le rendirán en todo el mundo, el sociólogo Michel Maffesoli dictará una serie de conferencias gratuitas en Bogotá y Medellín, en las que hablará sobre el trabajo de Baudrillard, especialmente a partir ...
28 de abr. de 2024 · It is depicted in the epigraph to this book, which comes from the chapter of Jean Baudrillard’s 1981 book, Simulacra and Simulation ( Simulacres et simulation) entitled “The Spiraling Cadaver.”. Here Baudrillard briefly directs his theses on life, death, and the death drive toward the university.
30 de abr. de 2024 · Ese concepto de la hiperrealidad, fue creado por Jean Baudrillard (27 de julio de 1929- París, 6 de marzo de 2007). Baudrillard, fue un filósofo y sociólogo francés, un crítico de la cultura francesa. Su trabajo se relaciona con el análisis de la posmodernidad y la filosofía del postestructuralismo. Rostro esotérico, pintura de Geremía Méndez.
20 de abr. de 2024 · 1. No views 1 minute ago. In this lecture, we'll look at Baudrillard's 1982 essay, "Our Theatre of Cruelty", which focuses on terrorism. Baudrillard explains the way terrorism serves as an...
- 43 min
- 208
- Gavin Young Philosophy
Hace 3 días · Baudrillard classifies the everyday objects of the »new technical order« as functional, non-functional and metafunctional. He contrasts »modern« and »traditional« functional objects, subjecting home furnishing and interior design to a celebrated semiological analysis.
1 de may. de 2024 · Drawing upon Jean Baudrillard's concept of simulacra, which suggests that simulations have become more “real” than the originals they replicate, creating a new hyperreality, we find a potent framework for discussion. Baudrillard’s critique, originally foreboding, becomes particularly significant when considering digital corpses.
