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  1. Overview. Signatures, Inscriptions, and Markings. Exhibition History. Title: Tea gown. Design House: House of Worth (French, 1858–1956) Designer: Jean-Philippe Worth (French, 1856–1926) Date: 1900–1901. Culture: French. Medium: silk.

  2. 9 de jul. de 2018 · Posted by Madeline Kaminski | Last updated Jul 9, 2018 | Published on Jul 9, 2018 | 1880-1889, 19th century, garment analysis. This silk evening dress draped in lace was designed by Jean-Philippe Worth in 1887-89 and was very fashionable for its time due to his design, color, and stylistic choices.

  3. 25 de ene. de 2020 · The Fashion Insight Of Maison Worth: An Interview With Jean-Philippe Worth. January 25, 2020 / Adam Lid. D uring his lifetime, Charles Worth revealed very little of his design philosophy or how he approached the design process. From a business perspective, Worth was prudent given the rampant fashion piracy of the period.

  4. In 1871, Worth dissolved his association with Bobergh. His design and promotional talents had made the House of Worth a highly successful international business. Upon Worth's death in 1895, sons Gaston-Lucien (1853–1924) and Jean-Philippe (1856–1926) assumed the business.

  5. Overview. Signatures, Inscriptions, and Markings. Exhibition History. Title: Ball gown. Design House: House of Worth (French, 1858–1956) Designer: Jean-Philippe Worth (French, 1856–1926) Date: ca. 1892. Culture: French. Medium: silk, crystal.

  6. Spectacular by its immense patterns, this dress is characteristic of the creations of Jean-Philippe Worth, who had succeeded in 1895 to his father, Charles Frederick, the inventor of haute couture. The son was fond of the historicizing fabrics, including this chiselled velvet imitating the Genoa velvet of the Renaissance is a sumptuous example.

  7. Jean-Philippe (1856-1926), the perfectionist, was responsible for design, and his creations were distinguished by their subtle colours and material compositions. An exquisite colour combination...