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  1. Jessie Redmon Fauset (April 27, 1882 – April 30, 1961) was an editor, poet, essayist, novelist, and educator. Her literary work helped sculpt African-American literature in the 1920s as she focused on portraying a true image of African-American life and history. [1]

  2. Jessie Redmon Fauset (27 de abril de 1882 – 30 de abril de 1961) fue una editora, poeta, ensayista y novelista afroamericana. Se la conoce por ser una de las escritoras más prolíficas del Renacimiento de Harlem . Vida y obra. Fauset nació en Snow Hill, Camden County, Nueva Jersey.

  3. 30 de abr. de 2024 · Jessie Redmon Fauset was an African American novelist, critic, poet, and editor known for her discovery and encouragement of several writers of the Harlem Renaissance. Fauset graduated from Cornell University (B.A., 1905), and she later earned a master’s degree from the University of Pennsylvania.

    • The Editors of Encyclopaedia Britannica
  4. 2 de abr. de 2014 · Best Known For: As the literary editor for 'The Crisis,' Jessie Fauset supported many new voices during the Harlem Renaissance. She also authored novels, essays and poems. Industries....

  5. Hace 4 días · Jessie Redmon Fauset - The Academy of American Poets is the largest membership-based nonprofit organization fostering an appreciation for contemporary poetry and supporting American poets. Jessie Redmon Fauset, born in 1882, played a crucial role in the Harlem Renaissance during her time as literary editor of The Crisis.

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  6. 29 de ene. de 2024 · Jessie Redmon Fauset, known as the “Midwife of the Harlem Renaissance,” was born in Fredericksville, Camden County, New Jersey on April 27, 1882 to Redmon and Annie Seamon Fauset. She was the seventh addition to an already large family. At a very early age Fauset lost her mother and was raised by her father, a prosperous Presbyterian minister.

  7. 27 de jun. de 2018 · General Overviews. Although Jessie Fauset was one of the most prolific writers of the Harlem Renaissance, early critics marginalized and pigeonholed her novels and poetry as sentimental and/or mid-Victorian ( Johnson 1978 ).