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Support the show: https://www.patreon.com/ComicTropes Donate a one-time tip: https://ko-fi.com/comictropesJim Shooter has accomplished more than most in t...
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19 de nov. de 2017 · The name Jim Shooter is synonymous with one of the most iconic periods of Marvel Comics history. The shocking conclusion to the Dark Phoenix Saga in Uncanny X-Men, Frank Miller’s character-defining contributions to Daredevil, Walt Simonson’s epic Thor run, the original Secret Wars event series, the introduction of the New Universe imprint and so much more all occurred during Shooter’s ...
6 de oct. de 2000 · Jim Shooter Interview: Part 1. In the first of a two part interview, the always controversial Jim Shooter engages in a lengthy chat with Michael David Thomas about his days at Marvel, what went wrong with the New Universe, the creation of Valiant and why some in this industry have such negative feelings for him.
22 de jun. de 2023 · Jim Shooter’s approach to collaborative storytelling, particularly his role in refining the “Marvel Method,” was instrumental in fostering creativity among artists and writers at Marvel Comics. The Marvel Method is a unique approach to comic book creation where the writer provides a general plot outline, and the artist takes the lead in visually interpreting and expanding upon the story.
4 de jul. de 2011 · Sometime in early 1979, Marvel’s in-house counsel and V.P. of business affairs Alice Donenfeld proposed that we create a super-heroine/singer character. She was hoping to set up a joint venture with a record company—we’d produce comics featuring the character and they’d produce and market music using studio musicians, as was done with ...
Devenu scénariste de comics pendant son adolescence, Jim Shooter mène une longue carrière dans l'industrie de la bande dessinée américaine, principalement comme scénariste et responsable de publication, travaillant aussi à l'occasion comme dessinateur. Il travaille pour Adventure Comics, DC Comics, Marvel Comics, Broadway Comics .
28 de ene. de 2014 · Jim Shooter’s tenure at Marvel also witnessed changes in the treatment of its artists. Although Jack Kirby and Steve Ditko were instrumental in the creation of the classic superheroes of the 1960s, they were paid meager wages and saw none of the profits derived from these characters through merchandising rights.
