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8 de may. de 2018 · Jimmy Rushing Singer For the Record… [1] Selected discography [2] Sources [3] Best known as “Mister Five by Five”—an affectionate reference to his diminutive height and considerable girth—Jimmy Rushing established himself as one of the greatest singers in the history of jazz.
Jimmy Rushing. Jimmy Rushing, Auftritt im New Yorker Jazzclub Aquarium, ca. August 1946. Fotografie von William P. Gottlieb. Jimmy Rushing (* 26. August 1903 [1] in Oklahoma City, Oklahoma; † 8. Juni 1972 in New York; eigentlich James Andrew Rushing) war ein US-amerikanischer Blues - und Jazzsänger und Liedtexter .
Jimmy Rushing (1901-1972) Jimmy Rushing. James Andrew Rushing was a blues and jazz singer and pianist who was best known as the featured vocalist of the Count Basie and His Orchestra from 1935 to 1948. Jimmy Rushing was known as "Mr. Five by Five" and was the subject of an eponymous 1942 popular song that was a hit for Harry James and others.
15 de jun. de 2016 · The Jimmy Rushing story drawn by CabuThe Full Jimmy Rushing playlist here: http://bit.ly/Cabu-JimmyRushing-FullplaylistGet the Digital version on iTunes: htt...
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30 de abr. de 2021 · Jimmy Rushing (1946) In 1927 Jimmy Rushing moved to Kansas City where he joined Walter Page’s Blue Devils, the top jazz combo in the flourishing city. He was a member of the band for two years and made his recording debut on November 10, 1929, singing “Blue Devil Blues.”. During his decade in Kansas City, Rushing also participated in many ...
Jimmy Rushing From Wikipedia, the free encyclopedia. James Andrew Rushing (August 26, 1901 [1] – June 8, 1972) was an American blues shouter, balladeer, swing jazz singer, and pianist from Oklahoma City, Oklahoma, best known as the featured vocalist of Count Basie 's Orchestra from 1935 to 1948.
1 de oct. de 1999 · Jimmy Rushing: Every Day. by Mark Corroto October 1, 1999. Singer Jimmy Rushing was often call “Mr. five-by-five.” The name described his height and width. Rushing, who gained fame singing for Count Basie’s band from 1935 to 1950, often sang from the middle of the stage obscuring the view of half the saxophone section.
