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Johann Mattheson ( Hamburgo, 28 de septiembre de 1681 - ibídem, 17 de abril de 1764) fue un compositor, escritor, lexicógrafo, diplomático y teórico musical alemán . Vida. Mattheson nació y murió en Hamburgo. Hijo de un recaudador de impuestos, Mattheson recibió una amplia educación liberal.
Johann Mattheson (28 September 1681 – 17 April 1764) was a German composer, critic, lexicographer and music theorist. His writings on the late Baroque and early Classical period were highly influential, specifically, "his biographical and theoretical works were widely disseminated and served as the source for all subsequent ...
- 17 April 1764 (aged 82), Hamburg
- 28 September 1681, Hamburg
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13 de abr. de 2024 · Died: April 17, 1764, Hamburg (aged 82) Subjects Of Study: music. Johann Mattheson (born September 28, 1681, Hamburg [Germany]—died April 17, 1764, Hamburg) was a composer and scholar whose writings are an important source of information about 18th-century German music.
- The Editors of Encyclopaedia Britannica
6 de abr. de 2021 · El perfecto maestro de capilla (Hamburgo, 1739), de Johann Mattheson (1681-1764), es una de las obras teóricas más importante del barroco tardío. El compositor, teórico, diplomático, traductor, biógrafo y autor teatral, nacido en Hamburgo, fue un influyente músico y un cronista veraz del pensamiento musical alemán del siglo ...
Died: 1764 in Hamburg, Germany. Genre: Classical. Period: Baroque. Full biography Johann Mattheson. Johann Mattheson (1681-1764) was a versatile and prolific German composer, singer, organist, writer, lexicographer, diplomat, and music theorist of the Baroque era.
De Wikipedia, la enciclopedia libre. Johann Mattheson ( Hamburgo, 28 de septiembre de 1681 - ibídem, 17 de abril de 1764) fue un compositor, escritor, lexicógrafo, diplomático y teórico musical alemán. Johann Mattheson. Oops something went wrong: 403. Johann Mattheson fue un compositor, escritor, lexicógrafo, diplomático y teórico musical alemán.
20 de jun. de 2017 · Works. Johann Mattheson was a prolific composer up to the 1730s, especially of sacred music and opera. The bulk of his compositional output was vocal, including eight operas, and numerous oratorios and cantatas. He also wrote a few sonatas and some keyboard music, including pieces meant for keyboard instruction.
