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  1. 24/12/2021 · Millais, John Guille. The Life and Letters of Sir John Everett Millais. vol. 2, London, Methuen, 1899, p. 484. 1977 Bulletin Annuel du Musée National d ...

    • 1889
    • 121.7 x 76
    • oil on canvas
  2. 07/01/2022 · John and his wife, Euphemia, settled and established their home in Perth, Australia. John and Euphemia begot eight children between 1856 and 1868. One of their sons, John Guille Millais, became a talented writer who did great posthumous biography for his father.

    • 作品解説
    • 来歴
    • 展覧会歴
    • 文献歴

    1848年に、ウィリアム・ホルマン・ハントやダンテ・ガブリエル・ロセッティとともに、ラファエル前派兄弟団を結成したミレイは、1850年代には人気画家となり、1853年にアカデミー準会員、63年には正会員となり、85年には準男爵に叙せられたことからもわかるように、次第にその的確な技術を受け入れられやすい作品の制作へと向けていった。1880年代には、肖像画家としても名声を博し、その巧みな人物表現は、いかにもヴィクトリア朝好みの、感傷的な子供の絵などにも発揮された。それらの多くは、初期の原色も鮮やかな緻密な描写とは異なり、ベラスケスなどに学んだ大胆な筆遣いを見せるようになり、しばしば子供達に当てられる光が、暗い背景からその姿を浮かび上がらせ、印象的な効果を高めている。本作品は、画面上の年記から1889年に描かれたものであることがわかり、同年リーンズ・ギャラリーにDucklings(あひるの子)として出品された作品にあたると考えられる。特定の少女の肖像画として描かれたものではなく、その題名が示すように、画面の手前に見えるあひるの子と少女が重ね合わされた、寓意的風俗画と解釈される。イギリスでは、1869年にアンデルセンの『醜いあひるの子』がUgly Ducklingとして翻訳されており、おそらくこの幾分貧しげな少女の中に、童話のあひるの子と同じような将来の変貌を見させようとしているものと考えられよう。少女の髪は櫛を通されず、靴も傷んでいるように見える。手に握られているものは、この作品の主題解釈に役立つものと思われるが、手紙のようにもハンカチのようにも見え、残念ながら判然としない。(出典: 国立西洋美術館名作選. 東京, 国立西洋美術館, 2006. cat. no. 92)

    N. Mitchell Fine Art Gallery, London; Kojiro Matsukata, Kobe; Kyūzaemon Wada (和田久左衛門), Kobe; Tokuzō Mizushima (水嶋徳蔵), Tokyo; donated by Mizushima to NMWA, 1975.

    • Early Life
    • Pre-Raphaelite Works
    • The Landscapes 1870-92
    • Academic Career
    • Memorial Statue
    • Media
    • Selected Works in Museums

    Millais was born in Southampton, England in 1829, of a prominent Jersey-based family. The author Thackeray once asked him "when England conquered Jersey." Millais replied "Never! Jersey conquered England." (cited in Chums annual, 1896, page 213). His prodigious artistic talent won him a place at the Royal Academy schools at the unprecedented age of eleven. While there, he met William Holman Hunt and Dante Gabriel Rossetti with whom he formed the Pre-Raphaelite Brotherhood (known as the "PRB") in September 1848 in his family home on Gower Street, off Bedford Square.

    Photograph of Millais, c. 1854 Millais's Christ In The House Of His Parents (1850) was highly controversial because of its realistic portrayal of a working class Holy Family labouring in a messy carpentry workshop. Later works were also controversial, though less so. Millais achieved popular success with A Huguenot (1852), which depicts a young couple about to be separated because of religious conflicts. He repeated this theme in many later works. All these early works were painted with great attention to detail, often concentrating on the beauty and complexity of the natural world. In paintings such as Ophelia(1852) Millais created dense and elaborate pictorial surfaces based on the integration of naturalistic elements. This approach has been described as a kind of "pictorial eco-system". This style was promoted by the critic John Ruskin, who had defended the Pre-Raphaelites against their critics. Millais's friendship with Ruskin introduced him to Ruskin's wife Effie. Soon after th...

    Millais later in his career. This fascination with wild and bleak locations is also evident in his many landscape paintings of this period, which usually depict difficult or dangerous terrain. The first of these, Chill October (1870) was painted in Perth, near his wife's family home. Chill October (Collection of Sir Andrew Lloyd Webber), was the first of the large-scale Scottish Landscapes Millais painted periodically throughout his later career. Usually autumnal and often bleakly unpicturesque, they evoke a mood of melancholy and sense of transience that recalls his cycle-of-nature paintings of the later 1850s, especially Autumn Leaves (Manchester Art Gallery) and The Vale Of Rest (Tate Britain), though with little or no direct symbolism or human activity to point to their meaning. In 1870 Millais returned to full landscape pictures, and over the next twenty years painted a number of scenes of Perthshire where he was annually found hunting and fishing from August until late into th...

    John Everett Millais by Thomas Brock at Tate Britain Millais was elected as an associate member of the Royal Academy of Arts in 1853, and was soon elected as a full member of the Academy, in which he was a prominent and active participant. He was created a Baronet, of Palace Gate, in the parish of St Mary Abbot, Kensington, in the county of Middlesex, and of Saint Ouen, in the Island of Jersey, in 1885, the first artist to be honoured with a hereditary title. After the death of Lord Leighton in 1896, Millais was elected President of the Royal Academy, but he died later in the same year from throat cancer. He was buried in St Paul's Cathedral.

    When Millais died in 1896, the Prince of Wales (later to become King Edward VII) chaired a memorial committee, which commissioned a statue of the artist. This was installed at the front of the National Gallery of British Art (now Tate Britain) in the garden on the east side in 1905. On 23 November that year, the Pall Mall Gazettecalled it "a breezy statue, representing the man in the characteristic attitude in which we all knew him". In 1953, Tate Director, Sir Norman Reid, attempted to have it replaced by Auguste Rodin's John the Baptist, and in 1962 again proposed its removal, calling its presence "positively harmful". His efforts were frustrated by the statue's owner, the Ministry of Works. Ownership was transferred from the Ministry to English Heritage in 1996, and by them in turn to the Tate. In 2000, under Stephen Deuchar's directorship, the statue was removed to the rear of the building.

    Millais's relationship with Ruskin and Effie has been the subject of several dramas, beginning with the silent film The Love of John Ruskin from 1912. There have also been stage and radio plays and an opera. An upcoming film, Effie, written by Emma Thompson, features Tom Sturridge as Millais. The PRB as a whole have been the subjects of two BBC period dramas. The first, entitled The Love School, was shown in 1975, starring Peter Egan as Millais. The second was Desperate Romantics, in which Millais is played by Samuel Barnett. It was first broadcast on BBC 2 Tuesday, 21 July 2009. In 2004, the artists Hamilton and Ashrowan produced a work referencing Millais's landscape painting The Sound of Many Waters(1876). The work was filmed at Rumbling Bridge on the River Braan in Perthshire, the site where Millais made the painting. It consisted of a 32 screen moving image installation at Perth Concert Hall, including a film of the Millais painting. Ophelia (1852) Tate Britain, London

    The Blind Girl: Birmingham Museum & Art Gallery
    Pizarro Seizing the Inca of PeruTate
    The Two Princes Edward and Richard in the Tower: Picture Gallery of Royal Holloway College
  3. 03/01/2022 · Brittisk målare och illustratör (1829-1896) "John Millais" omdirigerar här. För konstnären och naturforskaren, se John Guille Millais. För den franska målaren Millet från 1800-talet, se Jean-François_Millet. herrJohn Everett MillaisBt PRASjälvporträtt av Millais, 1881.

  4. 01/01/2022 · Millais, John Guille. The Life and Letters of Sir John Everett Millais, President of the Royal Academy. Vol. 1. London: Methuen, 1899.

  5. 24/12/2021 · The account book of Millais, 1862, “Wolf’s Den / Evie’s head painted / in one hour” (finished in 1863). 1891 Magazine of Art. 1891, p. 89, repr. 1894 Chesneau, Ernest. Peintres Anglais contemporains. John Everett Millais. L’Art, vol. 59, 1894, pp. 241–242. 1898 Spielmann, Marion H. Millais and His Works.

    • 1863
    • 83.8 x 114.3
    • Oil on canvas
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