Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. José Vianna da Motta: Piano Concerto in A major; Fantasia Dramatica; Ballada, Op 16. Artur Pizarro / Martyn Brabbins. AllMusic Rating. User Rating (0) Your Rating. STREAM OR BUY: Release Date. October, 2000. Duration. 01:04:16. Genre. Classical. Styles. Concerto. Discography Timeline. See Full Discography.

    • Details

      José Vianna da Motta: Piano Concerto in A major; Fantasia...

  2. Piano Concerto in A major Alt ernative. Title Concert in A-dur für clavier und orchester Composer Vianna da Motta, José: I-Catalogue Number I-Cat. No. IJV 7 Key A major Movements/Sections Mov'ts/Sec's: 2 movements and 5 variations Year/Date of Composition Y/D of Comp. 1886-87 Dedication Carl Schaffer Average Duration Avg. Duration: 26 minutes

    • Public Domain [ tag / del]
    • Javascript is required for this feature.
    • Manuscript, 1887. (August 30th).
    • Piano Concerto in A major
  3. Piano Concerto in A Major (1887) Ballada, for Solo Piano, Op 16 (1905) Fantasia Dramática, for Piano and Orchestra (1893) Recorded in the Grande Auditório, Museu Calouste Gulbenkian, Lisbon, on 12 13 July 1999 Duration 64'24 ℗ & © Hyperion Records Ltd., London, MM Made in England

    • (1)
    • UK
    • 6
    • CD, Album
  4. Explore the tracklist, credits, statistics, and more for Piano Concerto In A Major / Fantasia Dramática / Ballada, Op 16 by Vianna da Motta - Artur Pizarro, Orquestra Gulbenkian, Martyn Brabbins. Compare versions and buy on Discogs

    • (4)
    • 14
  5. Conteúdo. Início. Vianna da Motta. José Vianna da Motta GOC • GOSE • GCSE, ou Viana da Mota segundo a ortografia vigente, ( São Tomé, São Tomé e Príncipe, 22 de Abril de 1868 — Lisboa, 1 de Junho de 1948) foi um pianista, compositor, maestro e musicógrafo português . Biografia. José Vianna da Motta (Union Postale Universelle).

    • José Vianna da Motta
  6. The Fantasia Dramatica was premiered by the composer in 1893; its three movements make it almost more of a concerto than the earlier work. Both works, though using the harmonic language of the time, show real individuality in their ideas.