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  1. 18 de abr. de 2024 · E media@nga.gov.au. Lifelong artistic adventurers Anni and Josef Albers were leading pioneers of twentieth-century Modernism. Guided by Josef’s theory of colour and Anni’s formal exploration of pattern making and weaving, the exhibition brings together prints by both artists from the National Gallery’s Kenneth E. Tyler ...

  2. 22 de abr. de 2024 · 5.9K views 5 hours ago. [2023] JOSEF ALBERS | THE MAGIC OF COLOR SOURCE © THE JOSEPH AND ANNI ALBERS FOUNDATION® For the artist Josef Albers, every color has the power to change every...

    • 15 min
    • OFICIO™
  3. View map. This event is open to: Everyone. #AbigailSchweizer ColorDeceives. Event Details: Bowes Library’s Spring 2024 exhibition, Color Deceives, explores the color theories of modern artist Josef Albers (German-American, 1888-1976) and modern architect Le Corbusier (Swiss-French, 1887-1965).

  4. Hace 3 días · Además de la calidad de los materiales, la cortina de ducha como objeto alcanza otras cotas cuando se menciona como referentes de sus diseños, no solo Cardin, sino también al pionero de la modernida y el uso de los colores Josef Albers, Donald Judd, Hilma af Klint, James Turrell, Mark Rothko o Helmut Lang. "Todos los colores saturados de la India y el mundo náutico han sido grandes fuentes ...

  5. 25 de abr. de 2024 · Summary. Josef Albers († March 25, 1976 in New Haven, Connecticut) was a German painter, art theorist and educator. Origin and education. Josef Albers grew up in Bottrop as the son of the master painter Lorenz Albers and his wife Magdalena.

  6. Hace 3 días · ALBERS Josef, L’Interaction des couleurs, Paris, Éditions Hazan, 2021. Josef Albers élabore L’Interaction des couleurs dans le cadre d’une étude expérimentale. C’est en 1960 qu’il commence ses recherches, aidé de ses étudiants de l’université de Yale aux États-Unis. En admettant la relativité de notre perception ...

  7. 1 de may. de 2024 · Articles and interviews by Albers. Creator. From the Collection: Albers, Josef, 1888-1976. Published / Created. 1958-1961. Provenance. Gift of Josef Albers, 1960, and transfer from the Art and Architecture Library, 1985 and 1989. Extent of Digitization.

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